This series documents the history of UCLA's Institute of Ethnomusicology, which was founded in 1961 and dissolved in 1974.
Biographical Note:
Performer of Balinese and Javanese music and director of the ethnomusicology program at Loyola Marymount University. Graduate student in ethnomusicology during her time at UCLA.
Interviews in this series preserve the spoken memories of individuals, mainly musicians, who were raised near and/or performed on Los Angeles's Central Avenue from the late 1920s to the mid-1950s.
Interviews in this series extend the UCLA Oral History Program's "Central Avenue Sounds" series and preserve the spoken memories of musicians who were active in the jazz music scene in Los Angeles from the 1950s to the 1970s. This series includes a broad range of interviewees, some of whom are we...
Biographical Note:
Cornet and trumpet player. Bandleader and composer.
Interviews in this series preserve the spoken memories of individuals, mainly musicians, who were raised near and/or performed on Los Angeles's Central Avenue from the late 1920s to the mid-1950s.
Musicologist, composer, and folklorist. Research professor at the UCLA Institute of Ethnomusicology and founding member of the American Society for Comparative Musicology.
The Traditional Asian Arts in Southern California series focuses on both immigrants and second- or third-generation Asian Americans who have continued East Asian or Southeast Asian musical, dance, and performance traditions in Southern California. Some preserved their art form by adhering to the...
Biographical Note:
Teacher and performer of Cambodian dance. Co-founder of the Khmer Arts Academy in Long Beach, California, and the Sophiline Arts Ensemble at the Khmer Arts Academy in Cambodia.
Interviews in this series preserve the spoken memories of individuals, mainly musicians, who were raised near and/or performed on Los Angeles's Central Avenue from the late 1920s to the mid-1950s.