The interviews in the series African American Artists of Los Angeles document significant African American Artists and others in the Los Angeles metropolitan area who have worked to expand exhibition opportunities and public support for African American visual culture. The series was made possibl...
Biographical Note:
African American artist and community-activist. First director of the Watts Towers Art Center in Los Angeles.
This series focuses on the history of the Pasadena Museum of Art and its role as a pathbreaking venue for contemporary art in Southern California in the 1960s.
Biographical Note:
Vice-president of the Pasadena Art Museum board of trustees.
The Craft and Folk Art Museum (CAFAM), founded in Los Angeles by Edith and Frank Wyle, grew out of The Egg and The Eye, a commercial art gallery/restaurant devoted to international contemporary craft and folk art—and (in the restaurant) omelettes. The gallery opened November 1, 1965 at 5814 Wilsh...
The interviews in the series African American Artists of Los Angeles document significant African American Artists and others in the Los Angeles metropolitan area who have worked to expand exhibition opportunities and public support for African American visual culture. The series was made possibl...
The interviews in the series African American Artists of Los Angeles document significant African American Artists and others in the Los Angeles metropolitan area who have worked to expand exhibition opportunities and public support for African American visual culture. The series was made possibl...
Biographical Note:
African American artist. Creator of ten acres of sculpture near Joshua Tree.
The interviews in the series African American Artists of Los Angeles document significant African American Artists and others in the Los Angeles metropolitan area who have worked to expand exhibition opportunities and public support for African American visual culture. The series was made possibl...
The Craft and Folk Art Museum (CAFAM), founded in Los Angeles by Edith and Frank Wyle, grew out of The Egg and The Eye, a commercial art gallery/restaurant devoted to international contemporary craft and folk art—and (in the restaurant) omelettes. The gallery opened November 1, 1965 at 5814 Wilsh...
Biographical Note:
Daughter of Craft and Folk Art Museum (CAFAM) founders, Frank and Edith Wyle. Artist and designer. Developed educational materials for several CAFAM exhibitions; worked on “Masks in Motion” exhibition for 1984 Olympic Arts Festival.
The interviews in the series Art History - Oral Documentation Project are part of a cooperative venture between the Oral History Program and the Getty Center for the History of Art and the Humanities, documents a generation of scholars who developed and elaborated paradigms of art history establi...
Biographical Note:
University of Pennsylvania professor of architecture with a focus on history and theory.
The interviews in the series African American Artists of Los Angeles document significant African American Artists and others in the Los Angeles metropolitan area who have worked to expand exhibition opportunities and public support for African American visual culture. The series was made possibl...
This series includes interviews with prominent Los Angeles-based visual artists and other members of the art establishment whose careers span the period from the 1920s through the 1970s. It documents the art community of the pre-World War II period and the rise of Los Angeles as a nationally rec...
Biographical Note:
Painter known for his painted mosaic murals. Scripps college professor of art and director of the Otis College of Art and Design.
The Craft and Folk Art Museum (CAFAM), founded in Los Angeles by Edith and Frank Wyle, grew out of The Egg and The Eye, a commercial art gallery/restaurant devoted to international contemporary craft and folk art—and (in the restaurant) omelettes. The gallery opened November 1, 1965 at 5814 Wilsh...
Biographical Note:
Assistant Buyer, Craft and Folk Art Museum Shop, 1976 -1982. Associate Manager, CAFAM Shop, 1982 – 1984. Co-Curator, “Fiber, Clay, and Glass,” 1978; Co-curator, “Introductions: 12 Artists,” 1980.
This series documents the history of the Los Angeles Institute of Contemporary Art (LAICA) from its founding in 1974 into the early 1980s, LAICA closed several years after these interviews were completed.
The interviews in the series Art History - Oral Documentation Project are part of a cooperative venture between the Oral History Program and the Getty Center for the History of Art and the Humanities, documents a generation of scholars who developed and elaborated paradigms of art history establi...
Biographical Note:
Director of Villa i Tatti under the Harvard University Center for Italian Renaissance Studies in Florence, Italy. Leader of first U.S. university-based conservation program at New York University Institute of Fine Arts.
This series includes interviews with prominent Los Angeles-based visual artists and other members of the art establishment whose careers span the period from the 1920s through the 1970s. It documents the art community of the pre-World War II period and the rise of Los Angeles as a nationally rec...
Biographical Note:
Gallery owner known for collecting pre-Columbian and ancient art.