Interviews in this series preserve the spoken memories of individuals, mainly musicians, who were raised near and/or performed on Los Angeles's Central Avenue from the late 1920s to the mid-1950s.
Biographical Note:
Jazz trombone player and bandleader. Leader of the Pan-Afrikan People's Arkestra.
Interviews in this series preserve the spoken memories of individuals, mainly musicians, who were raised near and/or performed on Los Angeles's Central Avenue from the late 1920s to the mid-1950s.
Interviews in this series preserve the spoken memories of individuals, mainly musicians, who were raised near and/or performed on Los Angeles's Central Avenue from the late 1920s to the mid-1950s.
Biographical Note:
Music producer. Co-founder and co-owner of Modern Music and Independent Record Distributers.
Interviews in this series preserve the spoken memories of individuals, mainly musicians, who were raised near and/or performed on Los Angeles's Central Avenue from the late 1920s to the mid-1950s.
Biographical Note:
Jazz trombonist player. Member of the Woodman brothers, player with Charles Mingus, and member of Duke Ellington's band.
Interviews in this series preserve the spoken memories of individuals, mainly musicians, who were raised near and/or performed on Los Angeles's Central Avenue from the late 1920s to the mid-1950s.
Biographical Note:
Jazz drummer. Advocated for the amalgamation of the black musicians' union Local 767 and white musicians' union Local 47.
Interviews in this series preserve the spoken memories of individuals, mainly musicians, who were raised near and/or performed on Los Angeles's Central Avenue from the late 1920s to the mid-1950s.
Biographical Note:
Jazz bandleader, composer, arranger, and trumpet player.
Interviews in this series preserve the spoken memories of individuals, mainly musicians, who were raised near and/or performed on Los Angeles's Central Avenue from the late 1920s to the mid-1950s.
Interviews in this series preserve the spoken memories of individuals, mainly musicians, who were raised near and/or performed on Los Angeles's Central Avenue from the late 1920s to the mid-1950s.
Interviews in this series preserve the spoken memories of individuals, mainly musicians, who were raised near and/or performed on Los Angeles's Central Avenue from the late 1920s to the mid-1950s.
Interviews in this series preserve the spoken memories of individuals, mainly musicians, who were raised near and/or performed on Los Angeles's Central Avenue from the late 1920s to the mid-1950s.
Interviews in this series preserve the spoken memories of individuals, mainly musicians, who were raised near and/or performed on Los Angeles's Central Avenue from the late 1920s to the mid-1950s.
Interviews in this series preserve the spoken memories of individuals, mainly musicians, who were raised near and/or performed on Los Angeles's Central Avenue from the late 1920s to the mid-1950s.
Biographical Note:
Jazz tenor saxophone player, vocalist, and bandleader.
Interviews in this series preserve the spoken memories of individuals, mainly musicians, who were raised near and/or performed on Los Angeles's Central Avenue from the late 1920s to the mid-1950s.
Interviews in this series preserve the spoken memories of individuals, mainly musicians, who were raised near and/or performed on Los Angeles's Central Avenue from the late 1920s to the mid-1950s.
Interviews in this series preserve the spoken memories of individuals, mainly musicians, who were raised near and/or performed on Los Angeles's Central Avenue from the late 1920s to the mid-1950s.
Interviews in this series preserve the spoken memories of individuals, mainly musicians, who were raised near and/or performed on Los Angeles's Central Avenue from the late 1920s to the mid-1950s.
Interviews in this series preserve the spoken memories of individuals, mainly musicians, who were raised near and/or performed on Los Angeles's Central Avenue from the late 1920s to the mid-1950s.
Interviews in this series preserve the spoken memories of individuals, mainly musicians, who were raised near and/or performed on Los Angeles's Central Avenue from the late 1920s to the mid-1950s.
Interviews in this series preserve the spoken memories of individuals, mainly musicians, who were raised near and/or performed on Los Angeles's Central Avenue from the late 1920s to the mid-1950s.
Biographical Note:
Jazz flute, saxophone, and clarinet player. Advocate for the amalgamation of the black musicians’ local union, Local 767 and white musicians’ union, Local 47.
Interviews in this series preserve the spoken memories of individuals, mainly musicians, who were raised near and/or performed on Los Angeles's Central Avenue from the late 1920s to the mid-1950s.
Interviews in this series preserve the spoken memories of individuals, mainly musicians, who were raised near and/or performed on Los Angeles's Central Avenue from the late 1920s to the mid-1950s.
Interviews in this series preserve the spoken memories of individuals, mainly musicians, who were raised near and/or performed on Los Angeles's Central Avenue from the late 1920s to the mid-1950s.
Interviews in this series preserve the spoken memories of individuals, mainly musicians, who were raised near and/or performed on Los Angeles's Central Avenue from the late 1920s to the mid-1950s.
Interviews in this series preserve the spoken memories of individuals, mainly musicians, who were raised near and/or performed on Los Angeles's Central Avenue from the late 1920s to the mid-1950s.
Interviews in this series preserve the spoken memories of individuals, mainly musicians, who were raised near and/or performed on Los Angeles's Central Avenue from the late 1920s to the mid-1950s.
Interviews in this series preserve the spoken memories of individuals, mainly musicians, who were raised near and/or performed on Los Angeles's Central Avenue from the late 1920s to the mid-1950s.
Interviews in this series preserve the spoken memories of individuals, mainly musicians, who were raised near and/or performed on Los Angeles's Central Avenue from the late 1920s to the mid-1950s.
Biographical Note:
Jazz piano player. Advocate for the amalgamation of the black musicians' union Local 767 and white musicians' union Local 47.
Interviews in this series preserve the spoken memories of individuals, mainly musicians, who were raised near and/or performed on Los Angeles's Central Avenue from the late 1920s to the mid-1950s.
Interviews in this series preserve the spoken memories of individuals, mainly musicians, who were raised near and/or performed on Los Angeles's Central Avenue from the late 1920s to the mid-1950s.
Interviews in this series preserve the spoken memories of individuals, mainly musicians, who were raised near and/or performed on Los Angeles's Central Avenue from the late 1920s to the mid-1950s.
Interviews in this series preserve the spoken memories of individuals, mainly musicians, who were raised near and/or performed on Los Angeles's Central Avenue from the late 1920s to the mid-1950s.
Interviews in this series preserve the spoken memories of individuals, mainly musicians, who were raised near and/or performed on Los Angeles's Central Avenue from the late 1920s to the mid-1950s.
Interviews in this series preserve the spoken memories of individuals, mainly musicians, who were raised near and/or performed on Los Angeles's Central Avenue from the late 1920s to the mid-1950s.
Interviews in this series preserve the spoken memories of individuals, mainly musicians, who were raised near and/or performed on Los Angeles's Central Avenue from the late 1920s to the mid-1950s.
Interviews in this series preserve the spoken memories of individuals, mainly musicians, who were raised near and/or performed on Los Angeles's Central Avenue from the late 1920s to the mid-1950s.
Interviews in this series preserve the spoken memories of individuals, mainly musicians, who were raised near and/or performed on Los Angeles's Central Avenue from the late 1920s to the mid-1950s.
Biographical Note:
Jazz saxophone, clarinet, and flute player. Music educator at the Los Angeles Conservatory of Music and Arts and owner of a music education studio in Los Angeles.
The Traditional Asian Arts in Southern California series focuses on both immigrants and second- or third-generation Asian Americans who have continued East Asian or Southeast Asian musical, dance, and performance traditions in Southern California. Some preserved their art form by adhering to the...
The Traditional Asian Arts in Southern California series focuses on both immigrants and second- or third-generation Asian Americans who have continued East Asian or Southeast Asian musical, dance, and performance traditions in Southern California. Some preserved their art form by adhering to the...
Biographical Note:
Co-founder of Kayamanan Ng Lahi, a Filipino folk dance and music ensemble. Executive director of Search to Involve Pilipino Americans.
The Traditional Asian Arts in Southern California series focuses on both immigrants and second- or third-generation Asian Americans who have continued East Asian or Southeast Asian musical, dance, and performance traditions in Southern California. Some preserved their art form by adhering to the...
Biographical Note:
Drummer, hichiriki player, and co-founder of Kinnara, an organization dedicated to the study and performance of traditional Japanese performing arts. Minister at Senshin Buddhist temple.
The Traditional Asian Arts in Southern California series focuses on both immigrants and second- or third-generation Asian Americans who have continued East Asian or Southeast Asian musical, dance, and performance traditions in Southern California. Some preserved their art form by adhering to the...
Biographical Note:
Performer and teacher of traditional Northern Thailand dance forms. Founder of the dance company Lan Sattha.
The Traditional Asian Arts in Southern California series focuses on both immigrants and second- or third-generation Asian Americans who have continued East Asian or Southeast Asian musical, dance, and performance traditions in Southern California. Some preserved their art form by adhering to the...
Biographical Note:
Teacher and performer of Cambodian dance. Co-founder of the Khmer Arts Academy in Long Beach, California, and the Sophiline Arts Ensemble at the Khmer Arts Academy in Cambodia.
Ethnomusicologist and composer of Ghanaese music. UCLA professor of music. Director of the University of Ghana International Centre for African Music and Dance (ICAMD).
This series documents the history of UCLA's Institute of Ethnomusicology, which was founded in 1961 and dissolved in 1974.
Biographical Note:
Performer of Balinese and Javanese music and director of the ethnomusicology program at Loyola Marymount University. Graduate student in ethnomusicology during her time at UCLA.
These interviews with African American musicians provide details about the narrators' background, training, influences, and musical choices and discuss their contributions, and connections to the music of black Los Angeles. The series was a collaborative project of the UCLA Center for Oral Histor...
Biographical Note:
Music teacher for the Los Angeles Unified School District and University of Southern California training teacher in the School of Music. Founder of the BEEM (Black Experience as Expressed through Music) Foundation for the Advancement of Music. Commissioner of Cultural Affairs for the city of Los ...
These interviews with African American musicians provide details about the narrators' background, training, influences, and musical choices and discuss their contributions, and connections to the music of black Los Angeles. The series was a collaborative project of the UCLA Center for Oral Histor...
Biographical Note:
Founding member of the Watts Prophets, a music and spoken word performance group. Influential in development of hip hop and rap musical styles.
These interviews with African American musicians provide details about the narrators' background, training, influences, and musical choices and discuss their contributions, and connections to the music of black Los Angeles. The series was a collaborative project of the UCLA Center for Oral Histor...
Biographical Note:
Educator, school psychologist, composer, musician, conductor, church and community leader with a focus on gospel music. CEO of the Heritage Music Foundation and founder of the the Gospel House.
These interviews with African American musicians provide details about the narrators' background, training, influences, and musical choices and discuss their contributions, and connections to the music of black Los Angeles. The series was a collaborative project of the UCLA Center for Oral Histor...
Biographical Note:
Director of Choral Activities, professor of Ethnomusicology, and head of Music Education at U.C. Davis. Choral director, composer, arranger, author, and editor.
These interviews with African American musicians provide details about the narrators' background, training, influences, and musical choices and discuss their contributions, and connections to the music of black Los Angeles. The series was a collaborative project of the UCLA Center for Oral Histor...
Biographical Note:
Bandleader of the Evelyn Freeman Swing Band, Wings over Jordan, Evelyn Freeman Orchestra, and the Young Saints.
These interviews with African American musicians provide details about the narrators' background, training, influences, and musical choices and discuss their contributions, and connections to the music of black Los Angeles. The series was a collaborative project of the UCLA Center for Oral Histor...
Biographical Note:
Prairie View A. & M and California State University, Los Angeles professor of music. Organist of African American hymnal music.
Interviews in this series extend the UCLA Oral History Program's "Central Avenue Sounds" series and preserve the spoken memories of musicians who were active in the jazz music scene in Los Angeles from the 1950s to the 1970s. This series includes a broad range of interviewees, some of whom are we...
Interviews in this series extend the UCLA Oral History Program's "Central Avenue Sounds" series and preserve the spoken memories of musicians who were active in the jazz music scene in Los Angeles from the 1950s to the 1970s. This series includes a broad range of interviewees, some of whom are we...
Biographical Note:
Cornet and trumpet player. Bandleader and composer.
Interviews in this series extend the UCLA Oral History Program's "Central Avenue Sounds" series and preserve the spoken memories of musicians who were active in the jazz music scene in Los Angeles from the 1950s to the 1970s. This series includes a broad range of interviewees, some of whom are we...
Biographical Note:
Jazz drummer, vibraphonist, and percussionist. Timpani player for the Los Angeles Philharmonic.
Interviews in this series extend the UCLA Oral History Program's "Central Avenue Sounds" series and preserve the spoken memories of musicians who were active in the jazz music scene in Los Angeles from the 1950s to the 1970s. This series includes a broad range of interviewees, some of whom are we...