The Traditional Asian Arts in Southern California series focuses on both immigrants and second- or third-generation Asian Americans who have continued East Asian or Southeast Asian musical, dance, and performance traditions in Southern California. Some preserved their art form by adhering to the...
Biographical Note:
Performer and teacher of traditional Okinawan dance. Artistic director of the Majikina Honryu Aigen no Kai dance school and performing arts company.
Interviews in this series preserve the spoken memories of individuals, mainly musicians, who were raised near and/or performed on Los Angeles's Central Avenue from the late 1920s to the mid-1950s.
Interviews in this series preserve the spoken memories of individuals, mainly musicians, who were raised near and/or performed on Los Angeles's Central Avenue from the late 1920s to the mid-1950s.
These interviews with African American musicians provide details about the narrators' background, training, influences, and musical choices and discuss their contributions, and connections to the music of black Los Angeles. The series was a collaborative project of the UCLA Center for Oral Histor...
Biographical Note:
Director of Choral Activities, professor of Ethnomusicology, and head of Music Education at U.C. Davis. Choral director, composer, arranger, author, and editor.
Interviews in this series extend the UCLA Oral History Program's "Central Avenue Sounds" series and preserve the spoken memories of musicians who were active in the jazz music scene in Los Angeles from the 1950s to the 1970s. This series includes a broad range of interviewees, some of whom are we...
Biographical Note:
Jazz bass player and UCLA adjunct associate professor of music.
Interviews in this series preserve the spoken memories of individuals, mainly musicians, who were raised near and/or performed on Los Angeles's Central Avenue from the late 1920s to the mid-1950s.
The Traditional Asian Arts in Southern California series focuses on both immigrants and second- or third-generation Asian Americans who have continued East Asian or Southeast Asian musical, dance, and performance traditions in Southern California. Some preserved their art form by adhering to the...
The Traditional Asian Arts in Southern California series focuses on both immigrants and second- or third-generation Asian Americans who have continued East Asian or Southeast Asian musical, dance, and performance traditions in Southern California. Some preserved their art form by adhering to the...
Biographical Note:
Musician, teacher of Vietnamese music, and co-founder of the Lac Hong group, which is dedicated to supporting Vietnamese cultural heritage by providing instruction and performance opportunities for young and aspiring performers of traditional Vietnamese music.
Ethnomusicologist and composer of Ghanaese music. UCLA professor of music. Director of the University of Ghana International Centre for African Music and Dance (ICAMD).
Interviews in this series preserve the spoken memories of individuals, mainly musicians, who were raised near and/or performed on Los Angeles's Central Avenue from the late 1920s to the mid-1950s.
Interviews in this series extend the UCLA Oral History Program's "Central Avenue Sounds" series and preserve the spoken memories of musicians who were active in the jazz music scene in Los Angeles from the 1950s to the 1970s. This series includes a broad range of interviewees, some of whom are we...
Interviews in this series preserve the spoken memories of individuals, mainly musicians, who were raised near and/or performed on Los Angeles's Central Avenue from the late 1920s to the mid-1950s.
Los Angeles disc jockey on soul radio stations during the 1960s and 1970s who was known as “the Master Blaster.” Producer and host of "For Members Only," a Los Angeles news and entertainment program directed at African Americans.