Interviews in this series preserve the spoken memories of individuals, mainly musicians, who were raised near and/or performed on Los Angeles's Central Avenue from the late 1920s to the mid-1950s.
Biographical Note:
Music producer. Co-founder and co-owner of Modern Music and Independent Record Distributers.
Interviews in this series preserve the spoken memories of individuals, mainly musicians, who were raised near and/or performed on Los Angeles's Central Avenue from the late 1920s to the mid-1950s.
Interviews in this series preserve the spoken memories of individuals, mainly musicians, who were raised near and/or performed on Los Angeles's Central Avenue from the late 1920s to the mid-1950s.
Interviews in this series preserve the spoken memories of individuals, mainly musicians, who were raised near and/or performed on Los Angeles's Central Avenue from the late 1920s to the mid-1950s.
Interviews in this series preserve the spoken memories of individuals, mainly musicians, who were raised near and/or performed on Los Angeles's Central Avenue from the late 1920s to the mid-1950s.
Interviews in this series preserve the spoken memories of individuals, mainly musicians, who were raised near and/or performed on Los Angeles's Central Avenue from the late 1920s to the mid-1950s.
Biographical Note:
Jazz saxophone, clarinet, and flute player. Music educator at the Los Angeles Conservatory of Music and Arts and owner of a music education studio in Los Angeles.
Interviews in this series preserve the spoken memories of individuals, mainly musicians, who were raised near and/or performed on Los Angeles's Central Avenue from the late 1920s to the mid-1950s.
Interviews in this series preserve the spoken memories of individuals, mainly musicians, who were raised near and/or performed on Los Angeles's Central Avenue from the late 1920s to the mid-1950s.
Biographical Note:
Jazz flute, saxophone, and clarinet player. Advocate for the amalgamation of the black musicians’ local union, Local 767 and white musicians’ union, Local 47.
Interviews in this series preserve the spoken memories of individuals, mainly musicians, who were raised near and/or performed on Los Angeles's Central Avenue from the late 1920s to the mid-1950s.
Interviews in this series preserve the spoken memories of individuals, mainly musicians, who were raised near and/or performed on Los Angeles's Central Avenue from the late 1920s to the mid-1950s.
Biographical Note:
Jazz trombone player and bandleader. Leader of the Pan-Afrikan People's Arkestra.
Interviews in this series preserve the spoken memories of individuals, mainly musicians, who were raised near and/or performed on Los Angeles's Central Avenue from the late 1920s to the mid-1950s.
The Traditional Asian Arts in Southern California series focuses on both immigrants and second- or third-generation Asian Americans who have continued East Asian or Southeast Asian musical, dance, and performance traditions in Southern California. Some preserved their art form by adhering to the...
The Traditional Asian Arts in Southern California series focuses on both immigrants and second- or third-generation Asian Americans who have continued East Asian or Southeast Asian musical, dance, and performance traditions in Southern California. Some preserved their art form by adhering to the...
Biographical Note:
Co-founder of Kayamanan Ng Lahi, a Filipino folk dance and music ensemble. Executive director of Search to Involve Pilipino Americans.
The Traditional Asian Arts in Southern California series focuses on both immigrants and second- or third-generation Asian Americans who have continued East Asian or Southeast Asian musical, dance, and performance traditions in Southern California. Some preserved their art form by adhering to the...
Biographical Note:
Drummer, hichiriki player, and co-founder of Kinnara, an organization dedicated to the study and performance of traditional Japanese performing arts. Minister at Senshin Buddhist temple.
The Traditional Asian Arts in Southern California series focuses on both immigrants and second- or third-generation Asian Americans who have continued East Asian or Southeast Asian musical, dance, and performance traditions in Southern California. Some preserved their art form by adhering to the...
Biographical Note:
Performer and teacher of traditional Northern Thailand dance forms. Founder of the dance company Lan Sattha.
The Traditional Asian Arts in Southern California series focuses on both immigrants and second- or third-generation Asian Americans who have continued East Asian or Southeast Asian musical, dance, and performance traditions in Southern California. Some preserved their art form by adhering to the...
Biographical Note:
Musician, teacher of Vietnamese music, and co-founder of the Lac Hong group, which is dedicated to supporting Vietnamese cultural heritage by providing instruction and performance opportunities for young and aspiring performers of traditional Vietnamese music.
The Traditional Asian Arts in Southern California series focuses on both immigrants and second- or third-generation Asian Americans who have continued East Asian or Southeast Asian musical, dance, and performance traditions in Southern California. Some preserved their art form by adhering to the...
Biographical Note:
Balinese dancer and musician. Faculty member in world music performance and Indonesian music and dance.
The Traditional Asian Arts in Southern California series focuses on both immigrants and second- or third-generation Asian Americans who have continued East Asian or Southeast Asian musical, dance, and performance traditions in Southern California. Some preserved their art form by adhering to the...
Biographical Note:
Performer and teacher of traditional Okinawan dance. Artistic director of the Majikina Honryu Aigen no Kai dance school and performing arts company.
The Traditional Asian Arts in Southern California series focuses on both immigrants and second- or third-generation Asian Americans who have continued East Asian or Southeast Asian musical, dance, and performance traditions in Southern California. Some preserved their art form by adhering to the...
Biographical Note:
Teacher and performer of Cambodian dance. Co-founder of the Khmer Arts Academy in Long Beach, California, and the Sophiline Arts Ensemble at the Khmer Arts Academy in Cambodia.
This series documents the history of UCLA's Institute of Ethnomusicology, which was founded in 1961 and dissolved in 1974.
Biographical Note:
Performer of Balinese and Javanese music and director of the ethnomusicology program at Loyola Marymount University. Graduate student in ethnomusicology during her time at UCLA.
This series includes interviews with individuals involved in behind-the-scenes or on-the-air presentation of rock music in Los Angeles area during its critical period of growth and importance, the 1960s and 1970s. It focuses on both the music itself and the culture that accompanied it as rock mus...
Biographical Note:
Producer and disc jockey for the Los Angeles area's first underground rock radio station, KPPC.
This series includes interviews with individuals involved in behind-the-scenes or on-the-air presentation of rock music in Los Angeles area during its critical period of growth and importance, the 1960s and 1970s. It focuses on both the music itself and the culture that accompanied it as rock mus...
Biographical Note:
Booking agent and manager for popular music acts in the 1960s and '70s.
This series includes interviews with individuals involved in behind-the-scenes or on-the-air presentation of rock music in Los Angeles area during its critical period of growth and importance, the 1960s and 1970s. It focuses on both the music itself and the culture that accompanied it as rock mus...
Biographical Note:
Radio broadcaster for the Los Angeles station KPPC- FM and manager of the Westwood One Radio Network. Creator of the persona Dr. Demento.
Ethnomusicologist and composer of Ghanaese music. UCLA professor of music. Director of the University of Ghana International Centre for African Music and Dance (ICAMD).
Los Angeles disc jockey on soul radio stations during the 1960s and 1970s who was known as “the Master Blaster.” Producer and host of "For Members Only," a Los Angeles news and entertainment program directed at African Americans.