Interviews in this series preserve the spoken memories of individuals, mainly musicians, who were raised near and/or performed on Los Angeles's Central Avenue from the late 1920s to the mid-1950s.
The Traditional Asian Arts in Southern California series focuses on both immigrants and second- or third-generation Asian Americans who have continued East Asian or Southeast Asian musical, dance, and performance traditions in Southern California. Some preserved their art form by adhering to the...
Biographical Note:
Drummer, hichiriki player, and co-founder of Kinnara, an organization dedicated to the study and performance of traditional Japanese performing arts. Minister at Senshin Buddhist temple.
Interviews in this series extend the UCLA Oral History Program's "Central Avenue Sounds" series and preserve the spoken memories of musicians who were active in the jazz music scene in Los Angeles from the 1950s to the 1970s. This series includes a broad range of interviewees, some of whom are we...
Interviews in this series preserve the spoken memories of individuals, mainly musicians, who were raised near and/or performed on Los Angeles's Central Avenue from the late 1920s to the mid-1950s.
Interviews in this series extend the UCLA Oral History Program's "Central Avenue Sounds" series and preserve the spoken memories of musicians who were active in the jazz music scene in Los Angeles from the 1950s to the 1970s. This series includes a broad range of interviewees, some of whom are we...
Interviews in this series preserve the spoken memories of individuals, mainly musicians, who were raised near and/or performed on Los Angeles's Central Avenue from the late 1920s to the mid-1950s.
Interviews in this series preserve the spoken memories of individuals, mainly musicians, who were raised near and/or performed on Los Angeles's Central Avenue from the late 1920s to the mid-1950s.
The Traditional Asian Arts in Southern California series focuses on both immigrants and second- or third-generation Asian Americans who have continued East Asian or Southeast Asian musical, dance, and performance traditions in Southern California. Some preserved their art form by adhering to the...
Biographical Note:
Performer and teacher of traditional Okinawan dance. Artistic director of the Majikina Honryu Aigen no Kai dance school and performing arts company.
Interviews in this series preserve the spoken memories of individuals, mainly musicians, who were raised near and/or performed on Los Angeles's Central Avenue from the late 1920s to the mid-1950s.
Interviews in this series preserve the spoken memories of individuals, mainly musicians, who were raised near and/or performed on Los Angeles's Central Avenue from the late 1920s to the mid-1950s.
These interviews with African American musicians provide details about the narrators' background, training, influences, and musical choices and discuss their contributions, and connections to the music of black Los Angeles. The series was a collaborative project of the UCLA Center for Oral Histor...
Biographical Note:
Director of Choral Activities, professor of Ethnomusicology, and head of Music Education at U.C. Davis. Choral director, composer, arranger, author, and editor.
Interviews in this series extend the UCLA Oral History Program's "Central Avenue Sounds" series and preserve the spoken memories of musicians who were active in the jazz music scene in Los Angeles from the 1950s to the 1970s. This series includes a broad range of interviewees, some of whom are we...
Biographical Note:
Jazz bass player and UCLA adjunct associate professor of music.
Interviews in this series preserve the spoken memories of individuals, mainly musicians, who were raised near and/or performed on Los Angeles's Central Avenue from the late 1920s to the mid-1950s.
The Traditional Asian Arts in Southern California series focuses on both immigrants and second- or third-generation Asian Americans who have continued East Asian or Southeast Asian musical, dance, and performance traditions in Southern California. Some preserved their art form by adhering to the...
The Traditional Asian Arts in Southern California series focuses on both immigrants and second- or third-generation Asian Americans who have continued East Asian or Southeast Asian musical, dance, and performance traditions in Southern California. Some preserved their art form by adhering to the...
Biographical Note:
Musician, teacher of Vietnamese music, and co-founder of the Lac Hong group, which is dedicated to supporting Vietnamese cultural heritage by providing instruction and performance opportunities for young and aspiring performers of traditional Vietnamese music.
Ethnomusicologist and composer of Ghanaese music. UCLA professor of music. Director of the University of Ghana International Centre for African Music and Dance (ICAMD).
Interviews in this series preserve the spoken memories of individuals, mainly musicians, who were raised near and/or performed on Los Angeles's Central Avenue from the late 1920s to the mid-1950s.
Interviews in this series extend the UCLA Oral History Program's "Central Avenue Sounds" series and preserve the spoken memories of musicians who were active in the jazz music scene in Los Angeles from the 1950s to the 1970s. This series includes a broad range of interviewees, some of whom are we...
Interviews in this series preserve the spoken memories of individuals, mainly musicians, who were raised near and/or performed on Los Angeles's Central Avenue from the late 1920s to the mid-1950s.
Los Angeles disc jockey on soul radio stations during the 1960s and 1970s who was known as “the Master Blaster.” Producer and host of "For Members Only," a Los Angeles news and entertainment program directed at African Americans.
These interviews with African American musicians provide details about the narrators' background, training, influences, and musical choices and discuss their contributions, and connections to the music of black Los Angeles. The series was a collaborative project of the UCLA Center for Oral Histor...
Biographical Note:
Bandleader of the Evelyn Freeman Swing Band, Wings over Jordan, Evelyn Freeman Orchestra, and the Young Saints.
This series documents the history of UCLA's Institute of Ethnomusicology, which was founded in 1961 and dissolved in 1974.
Biographical Note:
Performer of Balinese and Javanese music and director of the ethnomusicology program at Loyola Marymount University. Graduate student in ethnomusicology during her time at UCLA.
Interviews in this series preserve the spoken memories of individuals, mainly musicians, who were raised near and/or performed on Los Angeles's Central Avenue from the late 1920s to the mid-1950s.
Interviews in this series preserve the spoken memories of individuals, mainly musicians, who were raised near and/or performed on Los Angeles's Central Avenue from the late 1920s to the mid-1950s.
This series includes interviews with individuals involved in behind-the-scenes or on-the-air presentation of rock music in Los Angeles area during its critical period of growth and importance, the 1960s and 1970s. It focuses on both the music itself and the culture that accompanied it as rock mus...
Biographical Note:
Booking agent and manager for popular music acts in the 1960s and '70s.
Musicologist, composer, and folklorist. Research professor at the UCLA Institute of Ethnomusicology and founding member of the American Society for Comparative Musicology.
The Traditional Asian Arts in Southern California series focuses on both immigrants and second- or third-generation Asian Americans who have continued East Asian or Southeast Asian musical, dance, and performance traditions in Southern California. Some preserved their art form by adhering to the...
Biographical Note:
Teacher and performer of Cambodian dance. Co-founder of the Khmer Arts Academy in Long Beach, California, and the Sophiline Arts Ensemble at the Khmer Arts Academy in Cambodia.
The Traditional Asian Arts in Southern California series focuses on both immigrants and second- or third-generation Asian Americans who have continued East Asian or Southeast Asian musical, dance, and performance traditions in Southern California. Some preserved their art form by adhering to the...
Biographical Note:
Performer and teacher of traditional Northern Thailand dance forms. Founder of the dance company Lan Sattha.
Interviews in this series preserve the spoken memories of individuals, mainly musicians, who were raised near and/or performed on Los Angeles's Central Avenue from the late 1920s to the mid-1950s.
Interviews in this series extend the UCLA Oral History Program's "Central Avenue Sounds" series and preserve the spoken memories of musicians who were active in the jazz music scene in Los Angeles from the 1950s to the 1970s. This series includes a broad range of interviewees, some of whom are we...
Interviews in this series preserve the spoken memories of individuals, mainly musicians, who were raised near and/or performed on Los Angeles's Central Avenue from the late 1920s to the mid-1950s.
The interviews in the series Arts in Corrections: Interviews with Participants in California Department of Corrections' Institutional Arts Program document the stories of formerly incarcerated artists, professional artists, and administrators who participated in the Arts-in-Corrections program. A...
Biographical Note:
Writer and teacher for the Arts-in-Corrections program, developer of Manual For Artists Working in Prison, and editor of Memo Arts.
Interviews in this series preserve the spoken memories of individuals, mainly musicians, who were raised near and/or performed on Los Angeles's Central Avenue from the late 1920s to the mid-1950s.
Biographical Note:
Jazz trombone player and bandleader. Leader of the Pan-Afrikan People's Arkestra.
The interviews in the series Arts in Corrections: Interviews with Participants in California Department of Corrections' Institutional Arts Program document the stories of formerly incarcerated artists, professional artists, and administrators who participated in the Arts-in-Corrections program. A...
Biographical Note:
Writer, poet, educator, and founding Artistic Director of the Poetic Justice Project.