Oral Histories

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61. Interview of Susan Mogul

Topic:
Film and Television
Length:
10 hrs.
Language:
English
Audio:
Series Statement:
Interviews in this series were conducted with filmmakers and artists in the area of feminist media and art of the seventies in Los Angeles.
Biographical Note:
Video artist partially trained at the Feminist Studio Workshop at CalArts and at the Woman’s Building, Los Angeles, working closely with Judy Chicago.

62. Interview of Marina Goldovskaya

Topic:
Film and Television
Length:
7.5 hrs.
Language:
English
Audio:
Series Statement:
Interviews in this series were conducted with filmmakers and artists in the area of feminist media and art of the seventies in Los Angeles.
Biographical Note:
Russian American director, writer, and cinematographer of documentary film. Professor Emerita, UCLA School of Theater, Film and Television.

63. Interview of Ilene Segalove

Topic:
Film and Television
Length:
3.5 hrs.
Language:
English
Audio:
Series Statement:
Interviews in this series were conducted with filmmakers and artists in the area of feminist media and art of the seventies in Los Angeles.
Biographical Note:
Video artist trained in part at the Feminist Studio Workshop at CalArts. Known in part for The Mom Tapes (1974-78)

64. Interview of Stephanie Rothman

Topic:
Film and Television
Length:
8.3 hrs.
Language:
English
Audio:
Series Statement:
Interviews in this series were conducted with filmmakers and artists in the area of feminist media and art of the seventies in Los Angeles.
Biographical Note:
Feminist film director known for The Student Nurses(1970) and The Velvet Vampire(1971) for New World Pictures. Co-founder of Dimension Pictures , making Group Marriage (1973), Terminal Island (1973), The Working Girls (1974).

65. Interview of Johanna Demetrakas (2003)

Topic:
Film and Television
Length:
8 hrs.
Language:
English
Audio:
Series Statement:
Interviews in this series were conducted with filmmakers and artists in the area of feminist media and art of the seventies in Los Angeles.
Biographical Note:
Documentary filmmaker and editor, known in part for Womanhouse (1974) and Right Out of History: The Making of Judy Chicago’s Dinner Party (1980).

66. Interview of Cheri Gaulke

Topic:
Film and Television
Length:
3.75 hrs.
Language:
English
Audio:
Series Statement:
Interviews in this series were conducted with filmmakers and artists in the area of feminist media and art of the seventies in Los Angeles.
Biographical Note:
Visual and performance artist. Trained at the Feminist Studio Workshop at the Woman’s Building, Los Angeles. Co-founder of Feminist Art Workers, and Sisters of Survival.

67. Interview of Peter Belsito

Topic:
Film and Television
Length:
2.5 hrs.
Language:
English
Audio:
Series Statement:
This series includes interviews with several members of the Los Angeles Newsreel Collective, a group active between 1968 and 1971 that was modeled on the Workers’ Film and Photo League. The group's aim was to exhibit films with a radical leftist point of view to a wide range of audiences.

68. Interview of Chick Strand

Topic:
Film and Television
Language:
English
Audio:
Series Statement:
Interviews in this series were conducted with filmmakers and artists in the area of feminist media and art of the seventies in Los Angeles.
Biographical Note:
Innovator of a documentary form combining subjectivity, ethnography and expressionism, working frequently in Mexico. Founder of Canyon CinemaNews. Professor of film at Occidental college.

69. Interview of Stephanie Waxman

Topic:
Film and Television
Language:
English
Audio:
Series Statement:
This series includes interviews with several members of the Los Angeles Newsreel Collective, a group active between 1968 and 1971 that was modeled on the Workers’ Film and Photo League. The group's aim was to exhibit films with a radical leftist point of view to a wide range of audiences.

70. Interview of Dennis R. Hicks

Topic:
Film and Television
Language:
English
Audio:
Series Statement:
This series includes interviews with several members of the Los Angeles Newsreel Collective, a group active between 1968 and 1971 that was modeled on the Workers’ Film and Photo League. The group's aim was to exhibit films with a radical leftist point of view to a wide range of audiences.