This series of interviews documents the work of costumers in the film and television industries in Los Angeles. The interviews preserve a dimension of Hollywood history and Los Angeles history that has been under-documented to date.
Biographical Note:
Textile artist and owner of A Dyeing Art, a textile art studio established in 1984.
This series of interviews was undertaken in collaboration with the Art Directors Guild. Its aim is to document the lives and work of Guild members and staff who have made a significant contribution to film and television history. Interviews capture the work of title artists, set designers, art di...
Biographical Note:
Scenic artist working in film, television, and opera, and fine artist.
This series of interviews was undertaken in collaboration with the Art Directors Guild. Its aim is to document the lives and work of Guild members and staff who have made a significant contribution to film and television history. Interviews capture the work of title artists, set designers, art di...
Biographical Note:
Storyboard artist whose work includes Hidden Figures and St. Vincent; director whose work includes The Illumination of Jim Woodring and Dance, Voldo, Dance.
This series of interviews was undertaken in collaboration with the Art Directors Guild. Its aim is to document the lives and work of Guild members and staff who have made a significant contribution to film and television history. Interviews capture the work of title artists, set designers, art di...
Biographical Note:
Scenic artist known for work at Warner Bros. and J.C. Backings and for extensive work as a mural painter.
This series of interviews was undertaken in collaboration with the Art Directors Guild. Its aim is to document the lives and work of Guild members and staff who have made a significant contribution to film and television history. Interviews capture the work of title artists, set designers, art di...
This series of interviews was undertaken in collaboration with the Art Directors Guild. Its aim is to document the lives and work of Guild members and staff who have made a significant contribution to film and television history. Interviews capture the work of title artists, set designers, art di...
Biographical Note:
Set designer, production designer, and Eagle Rock Historical Society archivist.
This series of interviews was undertaken in collaboration with the Art Directors Guild. Its aim is to document the lives and work of Guild members and staff who have made a significant contribution to film and television history. Interviews capture the work of title artists, set designers, art di...
Biographical Note:
Set designer known for work on L.A. Confidential, The Last Tycoon, Oz the Great and Powerful, and The Majestic.
This series of interviews was undertaken in collaboration with the Art Directors Guild. Its aim is to document the lives and work of Guild members and staff who have made a significant contribution to film and television history. Interviews capture the work of title artists, set designers, art di...
Biographical Note:
Set designer with credits that include Comes a Horseman, Wild and Free (1978), and Back to the Future Part II (1989) and Part III (1999). Worked in Universal Studios art department.
This series of interviews was undertaken in collaboration with the Art Directors Guild. Its aim is to document the lives and work of Guild members and staff who have made a significant contribution to film and television history. Interviews capture the work of title artists, set designers, art di...
Biographical Note:
Scenic, commercial, and fine artist who worked for Warner Bros., Magic Mountain, Universal Studios, and many other companies. Owner of scenic art business Bridget Duffy Fine Artist.
This series of interviews was undertaken in collaboration with the Art Directors Guild. Its aim is to document the lives and work of Guild members and staff who have made a significant contribution to film and television history. Interviews capture the work of title artists, set designers, art di...
Biographical Note:
Scenic artist, union representative for International Alliance of Theatrical Stage Employees (IATSE) and International Union of Operating Engineers Local 501.
This series of interviews was undertaken in collaboration with the Art Directors Guild. Its aim is to document the lives and work of Guild members and staff who have made a significant contribution to film and television history. Interviews capture the work of title artists, set designers, art di...
Biographical Note:
Scenic artist who worked at Universal Studios, Warner Bros., and many other companies. Founder of Hot Pepper Studios, a scenic art business that provides custom drawings, paintings, and murals.
This series of interviews documents the work of costumers in the film and television industries in Los Angeles. The interviews preserve a dimension of Hollywood history and Los Angeles history that has been under-documented to date.
Biographical Note:
Costume maker who had a career in film, television, and custom-made fashion. Costume maker who had a career in film, television, and custom-made fashion. Won a Lifetime Achievement Award from the Motion Picture Costumers, International Alliance of Theatrical Stage Employees (IATSE) Local 705.
This series of interviews documents the work of costumers in the film and television industries in Los Angeles. The interviews preserve a dimension of Hollywood history and Los Angeles history that has been under-documented to date.
Biographical Note:
Costumer and costume designer who worked on films such as My Fair Lady and To Kill a Mockingbird and on TV shows such as Mannix and Mission Impossible.
This series of interviews documents the work of costumers in the film and television industries in Los Angeles. The interviews preserve a dimension of Hollywood history and Los Angeles history that has been under-documented to date.
Biographical Note:
Costume director for San Francisco Opera and L.A. Opera. Shop manager for Star Wars: Episode VI, Return of the Jedi.
This series of interviews was undertaken in collaboration with the Art Directors Guild. Its aim is to document the lives and work of Guild members and staff who have made a significant contribution to film and television history. Interviews capture the work of title artists, set designers, art di...
Biographical Note:
Production designer and art director. Received Academy Award for work on both Lincoln and Avatar. Other work includes A.I. Artificial Intelligence, Amistad, Forrest Gump, and Goonies.
This series of interviews was undertaken in collaboration with the Art Directors Guild. Its aim is to document the lives and work of Guild members and staff who have made a significant contribution to film and television history. Interviews capture the work of title artists, set designers, art di...
Biographical Note:
Production designer with credits that include Lost in Translation, Her, and Where the Wild Things Are.
This series of interviews was undertaken in collaboration with the Art Directors Guild. Its aim is to document the lives and work of Guild members and staff who have made a significant contribution to film and television history. Interviews capture the work of title artists, set designers, art di...
Biographical Note:
Production designer with expertise in animation and visual effects who worked on River's Edge, Home Alone, and Species. Professor of production design at California State University, Long Beach.
This series of interviews was undertaken in collaboration with the Art Directors Guild. Its aim is to document the lives and work of Guild members and staff who have made a significant contribution to film and television history. Interviews capture the work of title artists, set designers, art di...
Biographical Note:
Lead scenic artist for Warner Bros., with credits including The Perfect Storm, Lemony Snicket’s A Series of Unfortunate Events, and The Curious Case of Benjamin Button. Served as Art Directors Guild associate executive director.
This series of interviews was undertaken in collaboration with the Art Directors Guild. Its aim is to document the lives and work of Guild members and staff who have made a significant contribution to film and television history. Interviews capture the work of title artists, set designers, art di...
Biographical Note:
Scenic artist at CBS Television City for over forty years; past president of Local 816, Scenic, Title, and Graphic Artists.
This series of interviews was undertaken in collaboration with the Art Directors Guild. Its aim is to document the lives and work of Guild members and staff who have made a significant contribution to film and television history. Interviews capture the work of title artists, set designers, art di...
Biographical Note:
Owners of Shaffner/Stewart-Production Design, which designed sets for Two and a Half Men, The Big Bang Theory, Friends, several David Copperfield specials, The George Lopez Show, and The Ellen DeGeneres Show. Their work has received several Emmy Awards.
This series of interviews was undertaken in collaboration with the Art Directors Guild. Its aim is to document the lives and work of Guild members and staff who have made a significant contribution to film and television history. Interviews capture the work of title artists, set designers, art di...
Biographical Note:
Art director and production designer. Known for Frasier, Wings, Murphy Brown, and Academy Awards, among many other productions.
This series of interviews was undertaken in collaboration with the Art Directors Guild. Its aim is to document the lives and work of Guild members and staff who have made a significant contribution to film and television history. Interviews capture the work of title artists, set designers, art di...
Biographical Note:
Motion picture scenic artist and fine artist who worked at J.C. Backings for many years. Worked on One From the Heart, Rocky II, and Chaplin.
This series of interviews was undertaken in collaboration with the Art Directors Guild. Its aim is to document the lives and work of Guild members and staff who have made a significant contribution to film and television history. Interviews capture the work of title artists, set designers, art di...
Biographical Note:
Production designer with credits that include Suburbicon; Good Night, and Good Luck; 300; Confessions of a Dangerous Mind; Jumanji; The Falcon and the Snowman; E.T. the Extra-Terrestrial; and Palmerstown, U.S.A.
Interviews in this series preserve the recollections of selected individuals in Los Angeles who were affected by the Hollywood blacklist during the Joseph R. McCarthy-J. Edgar Hoover era.
Biographical Note:
Wife of screenwriter and film producer Paul Jarrico, who was blacklisted in the post-World War II Hollywood blacklist.
This series of interviews was undertaken in collaboration with the Art Directors Guild. Its aim is to document the lives and work of Guild members and staff who have made a significant contribution to film and television history. Interviews capture the work of title artists, set designers, art di...
This series of interviews was undertaken in collaboration with the Art Directors Guild. Its aim is to document the lives and work of Guild members and staff who have made a significant contribution to film and television history. Interviews capture the work of title artists, set designers, art di...