The Community-Engaged Theater in Los Angeles series seeks to document the work of a grouping of theater companies in Los Angeles whose mission combines an artistic focus with explicit attention to social justice and community building. The companies included use a working method that seeks creati...
Biographical Note:
Artistic director of Watts Village Theater Company (WVTC), which collaborates with its community to produce work focused around pertinent social issues. Faculty at California State University, Northridge.
Interviews that reflect the experiences and the thoughts of members of the UCLA campus community on the topic of the COVID-19 pandemic. A number of Angelenos from the broader LA community participated in the project as well. Because of stipulations in legal agreements and other reasons, some oral...
Biographical Note:
Graduate of UCLA and urban planner in Los Angeles, dedicated to an activist approach through embedded planning.
This series of interviews was undertaken in collaboration with the Art Directors Guild. Its aim is to document the lives and work of Guild members and staff who have made a significant contribution to film and television history. Interviews capture the work of title artists, set designers, art di...
Biographical Note:
Storyboard artist whose work includes Hidden Figures and St. Vincent; director whose work includes The Illumination of Jim Woodring and Dance, Voldo, Dance.
The Community-Engaged Theater in Los Angeles series seeks to document the work of a grouping of theater companies in Los Angeles whose mission combines an artistic focus with explicit attention to social justice and community building. The companies included use a working method that seeks creati...
Biographical Note:
Associate director of the performance group and non-profit arts organization, the Los Angeles Poverty Department.
Interviews that reflect the experiences and the thoughts of members of the UCLA campus community on the topic of the COVID-19 pandemic. A number of Angelenos from the broader LA community participated in the project as well. Because of stipulations in legal agreements and other reasons, some oral...
This series of interviews was undertaken in collaboration with the Art Directors Guild. Its aim is to document the lives and work of Guild members and staff who have made a significant contribution to film and television history. Interviews capture the work of title artists, set designers, art di...
Biographical Note:
Scenic artist known for work at Warner Bros. and J.C. Backings and for extensive work as a mural painter.
This series of interviews was undertaken in collaboration with the Art Directors Guild. Its aim is to document the lives and work of Guild members and staff who have made a significant contribution to film and television history. Interviews capture the work of title artists, set designers, art di...
This series of interviews was undertaken in collaboration with the Art Directors Guild. Its aim is to document the lives and work of Guild members and staff who have made a significant contribution to film and television history. Interviews capture the work of title artists, set designers, art di...
Biographical Note:
Set designer, art director and fine arts painter who has worked on We Bought a Zoo, Six Feet Under, and many other productions.
This series of interviews was undertaken in collaboration with the Art Directors Guild. Its aim is to document the lives and work of Guild members and staff who have made a significant contribution to film and television history. Interviews capture the work of title artists, set designers, art di...
Biographical Note:
Set designer with credits that include Comes a Horseman, Wild and Free (1978), and Back to the Future Part II (1989) and Part III (1999). Worked in Universal Studios art department.