This series includes interviews with individuals involved in behind-the-scenes or on-the-air presentation of rock music in Los Angeles area during its critical period of growth and importance, the 1960s and 1970s. It focuses on both the music itself and the culture that accompanied it as rock mus...
Biographical Note:
Producer and disc jockey for the Los Angeles area's first underground rock radio station, KPPC.
Interviews in this series extend the UCLA Oral History Program's "Central Avenue Sounds" series and preserve the spoken memories of musicians who were active in the jazz music scene in Los Angeles from the 1950s to the 1970s. This series includes a broad range of interviewees, some of whom are we...
The interviews in the series Arts in Corrections: Interviews with Participants in California Department of Corrections' Institutional Arts Program document the stories of formerly incarcerated artists, professional artists, and administrators who participated in the Arts-in-Corrections program. A...
Biographical Note:
Painter and actor, member of the Advisory Board of the Poetic Justice Project and part of the Arts-in-Corrections program during incarceration.
The interviews in the series Arts in Corrections: Interviews with Participants in California Department of Corrections' Institutional Arts Program document the stories of formerly incarcerated artists, professional artists, and administrators who participated in the Arts-in-Corrections program. A...
Biographical Note:
Executive director of the William James Association. Advocate for legislative support to reinstate arts programming in correctional institutions.
Interviews in this series preserve the spoken memories of individuals, mainly musicians, who were raised near and/or performed on Los Angeles's Central Avenue from the late 1920s to the mid-1950s.
Biographical Note:
Jazz flute, saxophone, and clarinet player. Advocate for the amalgamation of the black musicians’ local union, Local 767 and white musicians’ union, Local 47.
These interviews with African American musicians provide details about the narrators' background, training, influences, and musical choices and discuss their contributions, and connections to the music of black Los Angeles. The series was a collaborative project of the UCLA Center for Oral Histor...
Biographical Note:
Music teacher for the Los Angeles Unified School District and University of Southern California training teacher in the School of Music. Founder of the BEEM (Black Experience as Expressed through Music) Foundation for the Advancement of Music. Commissioner of Cultural Affairs for the city of Los ...
The interviews in the series Arts in Corrections: Interviews with Participants in California Department of Corrections' Institutional Arts Program document the stories of formerly incarcerated artists, professional artists, and administrators who participated in the Arts-in-Corrections program. A...
Biographical Note:
Project manager of the Prison Arts Project and director of William James Association.
These interviews with African American musicians provide details about the narrators' background, training, influences, and musical choices and discuss their contributions, and connections to the music of black Los Angeles. The series was a collaborative project of the UCLA Center for Oral Histor...
Biographical Note:
Founding member of the Watts Prophets, a music and spoken word performance group. Influential in development of hip hop and rap musical styles.
These interviews with African American musicians provide details about the narrators' background, training, influences, and musical choices and discuss their contributions, and connections to the music of black Los Angeles. The series was a collaborative project of the UCLA Center for Oral Histor...
Biographical Note:
Educator, school psychologist, composer, musician, conductor, church and community leader with a focus on gospel music. CEO of the Heritage Music Foundation and founder of the the Gospel House.
The Traditional Asian Arts in Southern California series focuses on both immigrants and second- or third-generation Asian Americans who have continued East Asian or Southeast Asian musical, dance, and performance traditions in Southern California. Some preserved their art form by adhering to the...
Biographical Note:
Co-founder of Kayamanan Ng Lahi, a Filipino folk dance and music ensemble. Executive director of Search to Involve Pilipino Americans.
The Traditional Asian Arts in Southern California series focuses on both immigrants and second- or third-generation Asian Americans who have continued East Asian or Southeast Asian musical, dance, and performance traditions in Southern California. Some preserved their art form by adhering to the...
Biographical Note:
Drummer, hichiriki player, and co-founder of Kinnara, an organization dedicated to the study and performance of traditional Japanese performing arts. Minister at Senshin Buddhist temple.
Interviews in this series preserve the spoken memories of individuals, mainly musicians, who were raised near and/or performed on Los Angeles's Central Avenue from the late 1920s to the mid-1950s.
The Traditional Asian Arts in Southern California series focuses on both immigrants and second- or third-generation Asian Americans who have continued East Asian or Southeast Asian musical, dance, and performance traditions in Southern California. Some preserved their art form by adhering to the...
Biographical Note:
Performer and teacher of traditional Okinawan dance. Artistic director of the Majikina Honryu Aigen no Kai dance school and performing arts company.
These interviews with African American musicians provide details about the narrators' background, training, influences, and musical choices and discuss their contributions, and connections to the music of black Los Angeles. The series was a collaborative project of the UCLA Center for Oral Histor...
Biographical Note:
Director of Choral Activities, professor of Ethnomusicology, and head of Music Education at U.C. Davis. Choral director, composer, arranger, author, and editor.
Interviews in this series preserve the spoken memories of individuals, mainly musicians, who were raised near and/or performed on Los Angeles's Central Avenue from the late 1920s to the mid-1950s.
The Traditional Asian Arts in Southern California series focuses on both immigrants and second- or third-generation Asian Americans who have continued East Asian or Southeast Asian musical, dance, and performance traditions in Southern California. Some preserved their art form by adhering to the...