Interviews in this series were undertaken by the UCLA Oral History Program in conjunction with similar efforts at the University of California, Berkeley, Regional Oral History Office; Claremont Graduate School Oral History Program; California State University, Fullerton, Oral History Program; and...
Interviews in this series preserve the recollections of selected individuals in Los Angeles who were affected by the Hollywood blacklist during the Joseph R. McCarthy-J. Edgar Hoover era.
Biographical Note:
Screenwriter and film producer who was blacklisted in the post-World War II Hollywood blacklist.
Interviews in this series preserve the recollections of selected individuals in Los Angeles who were affected by the Hollywood blacklist during the Joseph R. McCarthy-J. Edgar Hoover era.
Biographical Note:
Novelist and screenwriter. One of the Hollywood Ten, who were imprisoned and blacklisted in the post-World War II Hollywood blacklist.
Interviews in this series preserve the recollections of selected individuals in Los Angeles who were affected by the Hollywood blacklist during the Joseph R. McCarthy-J. Edgar Hoover era.
Biographical Note:
Film and television producer. Known for breaking the post-World War II Hollywood blacklist with the production of Spartacus.
Interviews in this series preserve the recollections of selected individuals in Los Angeles who were affected by the Hollywood blacklist during the Joseph R. McCarthy-J. Edgar Hoover era.
Biographical Note:
Son of the screen and television writer Dalton Trumbo, who was one of the Hollywood Ten, who were imprisoned and blacklisted in the post-World War II Hollywood blacklist.
This series includes interviews with studio workers who gained entry to the motion picture industry following Title VII of the 1964 Civil Rights Act. They were donated to the UCLA Center for Oral History Research by Andrew Dawson of the University of Greenwich, London, who conducted them as part ...
Biographical Note:
Crewman. One of the first African Americans to work in Hollywood in the areas of stage lighting, rigging, and as a best boy.
This series includes interviews with studio workers who gained entry to the motion picture industry following Title VII of the 1964 Civil Rights Act. They were donated to the UCLA Center for Oral History Research by Andrew Dawson of the University of Greenwich, London, who conducted them as part ...
Biographical Note:
Camera operator. Active in the union International Association for the Study of Traditional Environments (IASTE) Local 659.
General booking manager of the Lincoln Motion Picture Company and lifelong collector of materials on African Americans in motion pictures. Founder of the Pacific Coast News Bureau.