The interviews in the series African American Artists of Los Angeles document significant African American Artists and others in the Los Angeles metropolitan area who have worked to expand exhibition opportunities and public support for African American visual culture. The series was made possibl...
Biographical Note:
African American artist and founder of Gallery 32 in Los Angeles.
This project is a cooperative, interdisciplinary, inter-institutional effort by the Oral History Program, State Historical Society of Wisconsin, Frank Lloyd Wright Foundation, and Frank Lloyd Wright Archives, and is intended to preserve the recollections of selected former associates of Frank Llo...
Biographical Note:
Member of the Marin County Board of Supervisors in San Rafael, California, and advocate for the building of Frank Lloyd Wrights’ Marin County Civic Center.
This project is a cooperative, interdisciplinary, inter-institutional effort by the Oral History Program, State Historical Society of Wisconsin, Frank Lloyd Wright Foundation, and Frank Lloyd Wright Archives, and is intended to preserve the recollections of selected former associates of Frank Llo...
Biographical Note:
Fellow in the Taliesin Fellowship under Frank Lloyd Wright. Illinois architect.
The interviews in the series African American Artists of Los Angeles document significant African American Artists and others in the Los Angeles metropolitan area who have worked to expand exhibition opportunities and public support for African American visual culture. The series was made possibl...
Biographical Note:
African American artist. Founder of the International Review of African American Art and the Museum of African American Art in Los Angeles.
This project is a cooperative, interdisciplinary, inter-institutional effort by the Oral History Program, State Historical Society of Wisconsin, Frank Lloyd Wright Foundation, and Frank Lloyd Wright Archives, and is intended to preserve the recollections of selected former associates of Frank Llo...
Biographical Note:
Fellow in the Taliesin Fellowship under Frank Lloyd Wright. East coast interior designer and architect.”
The interviews in the series African American Artists of Los Angeles document significant African American Artists and others in the Los Angeles metropolitan area who have worked to expand exhibition opportunities and public support for African American visual culture. The series was made possibl...
Biographical Note:
African American artist. Co-founder of the Brockman Gallery in Los Angeles.
The interviews in the series African American Artists of Los Angeles document significant African American Artists and others in the Los Angeles metropolitan area who have worked to expand exhibition opportunities and public support for African American visual culture. The series was made possibl...
The interviews in the series African American Artists of Los Angeles document significant African American Artists and others in the Los Angeles metropolitan area who have worked to expand exhibition opportunities and public support for African American visual culture. The series was made possibl...
Biographical Note:
African American artist. Co-founder of the Los Angeles Institute of Contemporary Art (LAICA).
The interviews in the series African American Artists of Los Angeles document significant African American Artists and others in the Los Angeles metropolitan area who have worked to expand exhibition opportunities and public support for African American visual culture. The series was made possibl...
Biographical Note:
African American artist. Director of the Studio Museum in Harlem.
This series focuses on the history of the Pasadena Museum of Art and its role as a pathbreaking venue for contemporary art in Southern California in the 1960s.
Biographical Note:
Member of the board of trustees of the Pasadena Art Museum. Co-director of the museum’s California Design exhibitions.
The interviews in the series African American Artists of Los Angeles document significant African American Artists and others in the Los Angeles metropolitan area who have worked to expand exhibition opportunities and public support for African American visual culture. The series was made possibl...
Co-founder and executive director of the Westside Center for Independent Living and disability services coordinator for the city of Culver City. Special assistant to the chancellor and ADA/504 compliance officer at UCLA.
This project is a cooperative, interdisciplinary, inter-institutional effort by the Oral History Program, State Historical Society of Wisconsin, Frank Lloyd Wright Foundation, and Frank Lloyd Wright Archives, and is intended to preserve the recollections of selected former associates of Frank Llo...
Biographical Note:
Fellow in the Taliesin Fellowship under Frank Lloyd Wright. Southern California architect.
This project is a cooperative, interdisciplinary, inter-institutional effort by the Oral History Program, State Historical Society of Wisconsin, Frank Lloyd Wright Foundation, and Frank Lloyd Wright Archives, and is intended to preserve the recollections of selected former associates of Frank Llo...
Biographical Note:
Fellow in the Taliesin Fellowship under Frank Lloyd Wright.
This series focuses on the history of the Pasadena Museum of Art and its role as a pathbreaking venue for contemporary art in Southern California in the 1960s.
Biographical Note:
Curator and director of the Pasadena Art Museum. Co-founder of the Ferus Gallery. Director of the Washington Gallery of Modern Art and the Menil Foundation.
This series focuses on the history of the Pasadena Museum of Art and its role as a pathbreaking venue for contemporary art in Southern California in the 1960s.
Biographical Note:
Artist and curator of education at the Pasadena Art Museum.
This series focuses on the history of the Pasadena Museum of Art and its role as a pathbreaking venue for contemporary art in Southern California in the 1960s.
This series focuses on the history of the Pasadena Museum of Art and its role as a pathbreaking venue for contemporary art in Southern California in the 1960s.
Biographical Note:
Assistant to the director of the Pasadena Art Museum and director of the Marion Koogler McNay Art Museum.
This series focuses on the history of the Pasadena Museum of Art and its role as a pathbreaking venue for contemporary art in Southern California in the 1960s.
This series focuses on the history of the Pasadena Museum of Art and its role as a pathbreaking venue for contemporary art in Southern California in the 1960s.
Biographical Note:
Photographer, art critic, and curator at the Pasadena Art Museum.
This series focuses on the history of the Pasadena Museum of Art and its role as a pathbreaking venue for contemporary art in Southern California in the 1960s.
This series focuses on the history of the Pasadena Museum of Art and its role as a pathbreaking venue for contemporary art in Southern California in the 1960s.
Biographical Note:
Curator of design at the Pasadena Art Museum. Founder of the museum’s Art Alliance and director of the museum’s California Design exhibitions.
This series focuses on the history of the Pasadena Museum of Art and its role as a pathbreaking venue for contemporary art in Southern California in the 1960s.
Interviews in this series document the experiences and activities of student leaders at UCLA beginning in 1919, when the institution was named University of California, Southern Branch, and moving forward into the 1930s. This series was funded in part by Associated Students UCLA (ASUCLA).
Interviews in this series document the experiences and activities of student leaders at UCLA beginning in 1919, when the institution was named University of California, Southern Branch, and moving forward into the 1930s. This series was funded in part by Associated Students UCLA (ASUCLA).
Interviews in this series document the experiences and activities of student leaders at UCLA beginning in 1919, when the institution was named University of California, Southern Branch, and moving forward into the 1930s. This series was funded in part by Associated Students UCLA (ASUCLA).
Interviews in this series document the experiences and activities of student leaders at UCLA beginning in 1919, when the institution was named University of California, Southern Branch, and moving forward into the 1930s. This series was funded in part by Associated Students UCLA (ASUCLA).
Interviews in this series document the experiences and activities of student leaders at UCLA beginning in 1919, when the institution was named University of California, Southern Branch, and moving forward into the 1930s. This series was funded in part by Associated Students UCLA (ASUCLA).
Interviews in this series document the experiences and activities of student leaders at UCLA beginning in 1919, when the institution was named University of California, Southern Branch, and moving forward into the 1930s. This series was funded in part by Associated Students UCLA (ASUCLA).
Interviews in this series document the experiences and activities of student leaders at UCLA beginning in 1919, when the institution was named University of California, Southern Branch, and moving forward into the 1930s. This series was funded in part by Associated Students UCLA (ASUCLA).
Interviews in this series document the experiences and activities of student leaders at UCLA beginning in 1919, when the institution was named University of California, Southern Branch, and moving forward into the 1930s. This series was funded in part by Associated Students UCLA (ASUCLA).
This series is a cooperative venture between the Oral History Program and the MBA Program in UCLA's John E. Anderson Graduate School of Management and has been further supported by the Price Institute for Entrepreneurial Studies.
Biographical Note:
Executive vice-president and co-founder of Ramo-Wooldridge Corporation which specialized in the aerospace and automotive industries.
This series is a cooperative venture between the Oral History Program and the MBA Program in UCLA's John E. Anderson Graduate School of Management and has been further supported by the Price Institute for Entrepreneurial Studies.
Biographical Note:
Owner of Jules Berman and Associates wine and spirits importers. Real estate developer who developed Lake Arrowhead, El Capitan Ranch, and Rancho Bernardo.
This series is a cooperative venture between the Oral History Program and the MBA Program in UCLA's John E. Anderson Graduate School of Management and has been further supported by the Price Institute for Entrepreneurial Studies.
Biographical Note:
Founder of Ponder & Best, Inc. and the Vivitar Corporation which were manufacturers, distributors, and marketers of photographic and optical equipment.
This series focuses on the history of the Pasadena Museum of Art and its role as a pathbreaking venue for contemporary art in Southern California in the 1960s.
Biographical Note:
Member of the board of trustees at the Pasadena Art Museum. Chair of the museum’s Art Alliance.
This series focuses on the history of the Pasadena Museum of Art and its role as a pathbreaking venue for contemporary art in Southern California in the 1960s.
Biographical Note:
Assistant to the director of the Pasadena Art Museum.
This series is a cooperative venture between the Oral History Program and the MBA Program in UCLA's John E. Anderson Graduate School of Management and has been further supported by the Price Institute for Entrepreneurial Studies.
Biographical Note:
President and owner of Topa Equities, Ltd., a holding company with lines of business in beverage distribution, automotive retail, insurance/financing, and real estate.
This series focuses on the history of the Pasadena Museum of Art and its role as a pathbreaking venue for contemporary art in Southern California in the 1960s.
This series focuses on the history of the Pasadena Museum of Art and its role as a pathbreaking venue for contemporary art in Southern California in the 1960s.
Biographical Note:
Vice-president of the Pasadena Art Museum board of trustees.
Dancer. University of California, Berkeley ballet teacher and administrator of the Denishawn Company's dance school. Interviewed because of connection to Katherine Philips Edson, a political activist for California's Progressive Party.
This series is a cooperative venture between the Oral History Program and the MBA Program in UCLA's John E. Anderson Graduate School of Management and has been further supported by the Price Institute for Entrepreneurial Studies.
Biographical Note:
Owner of Hamburger Hangout. CEO and Southern California representative of Kentucky Fried Chicken. CEO of Sizzler Family Steak House and Sizzler International.
This series is a cooperative venture between the Oral History Program and the MBA Program in UCLA's John E. Anderson Graduate School of Management and has been further supported by the Price Institute for Entrepreneurial Studies.
Biographical Note:
Owner of Parker Industries, an agency that provided advertising, marketing, and public relations services as well as Torrence Nissan and Classic Imports, and KYXY Radio and United Television Broadcasting.
This series is a cooperative venture between the Oral History Program and the MBA Program in UCLA's John E. Anderson Graduate School of Management and has been further supported by the Price Institute for Entrepreneurial Studies.
This series is a cooperative venture between the Oral History Program and the MBA Program in UCLA's John E. Anderson Graduate School of Management and has been further supported by the Price Institute for Entrepreneurial Studies.
Biographical Note:
President, CEO, and chair of Jacobs Engineering Group.
This series is a cooperative venture between the Oral History Program and the MBA Program in UCLA's John E. Anderson Graduate School of Management and has been further supported by the Price Institute for Entrepreneurial Studies.
Biographical Note:
CEO of Kaufman and Broad Home Corporation, a home building company. Managing partner of Highridge Partners, an investment company.
Interviews in this series document the experiences and activities of student leaders at UCLA beginning in 1919, when the institution was named University of California, Southern Branch, and moving forward into the 1930s. This series was funded in part by Associated Students UCLA (ASUCLA).
Interviews in this series document the experiences and activities of student leaders at UCLA beginning in 1919, when the institution was named University of California, Southern Branch, and moving forward into the 1930s. This series was funded in part by Associated Students UCLA (ASUCLA).
Interviews in this series document the experiences and activities of student leaders at UCLA beginning in 1919, when the institution was named University of California, Southern Branch, and moving forward into the 1930s. This series was funded in part by Associated Students UCLA (ASUCLA).
Interviews in this series document the experiences and activities of student leaders at UCLA beginning in 1919, when the institution was named University of California, Southern Branch, and moving forward into the 1930s. This series was funded in part by Associated Students UCLA (ASUCLA).
Interviews in this series were made possible by support from the UCLA Center for African American Studies, Institute of American Cultures. This is the first of several Oral History Program series focusing on social, cultural, economic, and political aspects of African American citizens in the Lo...
Biographical Note:
Owner-administrator of King Bail Bond Agency and administrator for the Pepperdine University School of Business and Management.
Interviews in this series were initiated by the Los Angeles Regional Planning History Group to ensure the preservation of recollections of pioneer planners in both the public and private sectors in the Los Angeles region.