This series focuses on the history of the Pasadena Museum of Art and its role as a pathbreaking venue for contemporary art in Southern California in the 1960s.
Biographical Note:
Assistant to the director of the Pasadena Art Museum and director of the Marion Koogler McNay Art Museum.
This series focuses on the history of the Pasadena Museum of Art and its role as a pathbreaking venue for contemporary art in Southern California in the 1960s.
Biographical Note:
Member of the board of trustees of the Pasadena Art Museum. Co-director of the museum’s California Design exhibitions.
The interviews in the series African American Artists of Los Angeles document significant African American Artists and others in the Los Angeles metropolitan area who have worked to expand exhibition opportunities and public support for African American visual culture. The series was made possibl...
This series focuses on the history of the Pasadena Museum of Art and its role as a pathbreaking venue for contemporary art in Southern California in the 1960s.
Biographical Note:
Curator of design at the Pasadena Art Museum. Founder of the museum’s Art Alliance and director of the museum’s California Design exhibitions.
This series focuses on the history of the Pasadena Museum of Art and its role as a pathbreaking venue for contemporary art in Southern California in the 1960s.
This series is a cooperative venture between the Oral History Program and the MBA Program in UCLA's John E. Anderson Graduate School of Management and has been further supported by the Price Institute for Entrepreneurial Studies.
Biographical Note:
Founder of Ponder & Best, Inc. and the Vivitar Corporation which were manufacturers, distributors, and marketers of photographic and optical equipment.
This series focuses on the history of the Pasadena Museum of Art and its role as a pathbreaking venue for contemporary art in Southern California in the 1960s.
Biographical Note:
Member of the board of trustees at the Pasadena Art Museum. Chair of the museum’s Art Alliance.
This series focuses on the history of the Pasadena Museum of Art and its role as a pathbreaking venue for contemporary art in Southern California in the 1960s.
Biographical Note:
Assistant to the director of the Pasadena Art Museum.
This series focuses on the history of the Pasadena Museum of Art and its role as a pathbreaking venue for contemporary art in Southern California in the 1960s.
This series focuses on the history of the Pasadena Museum of Art and its role as a pathbreaking venue for contemporary art in Southern California in the 1960s.
Biographical Note:
Photographer, art critic, and curator at the Pasadena Art Museum.
This series focuses on the history of the Pasadena Museum of Art and its role as a pathbreaking venue for contemporary art in Southern California in the 1960s.
This series is a cooperative venture between the Oral History Program and the MBA Program in UCLA's John E. Anderson Graduate School of Management and has been further supported by the Price Institute for Entrepreneurial Studies.
Biographical Note:
President and owner of Topa Equities, Ltd., a holding company with lines of business in beverage distribution, automotive retail, insurance/financing, and real estate.
This series focuses on the history of the Pasadena Museum of Art and its role as a pathbreaking venue for contemporary art in Southern California in the 1960s.
This series focuses on the history of the Pasadena Museum of Art and its role as a pathbreaking venue for contemporary art in Southern California in the 1960s.
Biographical Note:
Vice-president of the Pasadena Art Museum board of trustees.
This series is a cooperative venture between the Oral History Program and the MBA Program in UCLA's John E. Anderson Graduate School of Management and has been further supported by the Price Institute for Entrepreneurial Studies.
Biographical Note:
Executive vice-president and co-founder of Ramo-Wooldridge Corporation which specialized in the aerospace and automotive industries.
This series is a cooperative venture between the Oral History Program and the MBA Program in UCLA's John E. Anderson Graduate School of Management and has been further supported by the Price Institute for Entrepreneurial Studies.
Biographical Note:
Owner of Jules Berman and Associates wine and spirits importers. Real estate developer who developed Lake Arrowhead, El Capitan Ranch, and Rancho Bernardo.
This series is a cooperative venture between the Oral History Program and the MBA Program in UCLA's John E. Anderson Graduate School of Management and has been further supported by the Price Institute for Entrepreneurial Studies.
Biographical Note:
Owner of Hamburger Hangout. CEO and Southern California representative of Kentucky Fried Chicken. CEO of Sizzler Family Steak House and Sizzler International.
This series is a cooperative venture between the Oral History Program and the MBA Program in UCLA's John E. Anderson Graduate School of Management and has been further supported by the Price Institute for Entrepreneurial Studies.
Biographical Note:
Owner of Parker Industries, an agency that provided advertising, marketing, and public relations services as well as Torrence Nissan and Classic Imports, and KYXY Radio and United Television Broadcasting.
This series is a cooperative venture between the Oral History Program and the MBA Program in UCLA's John E. Anderson Graduate School of Management and has been further supported by the Price Institute for Entrepreneurial Studies.
This series is a cooperative venture between the Oral History Program and the MBA Program in UCLA's John E. Anderson Graduate School of Management and has been further supported by the Price Institute for Entrepreneurial Studies.
Biographical Note:
President, CEO, and chair of Jacobs Engineering Group.
This series is a cooperative venture between the Oral History Program and the MBA Program in UCLA's John E. Anderson Graduate School of Management and has been further supported by the Price Institute for Entrepreneurial Studies.
Biographical Note:
CEO of Kaufman and Broad Home Corporation, a home building company. Managing partner of Highridge Partners, an investment company.
Interviews in this series document the experiences and activities of student leaders at UCLA beginning in 1919, when the institution was named University of California, Southern Branch, and moving forward into the 1930s. This series was funded in part by Associated Students UCLA (ASUCLA).
Interviews in this series document the experiences and activities of student leaders at UCLA beginning in 1919, when the institution was named University of California, Southern Branch, and moving forward into the 1930s. This series was funded in part by Associated Students UCLA (ASUCLA).
Interviews in this series document the experiences and activities of student leaders at UCLA beginning in 1919, when the institution was named University of California, Southern Branch, and moving forward into the 1930s. This series was funded in part by Associated Students UCLA (ASUCLA).
Interviews in this series document the experiences and activities of student leaders at UCLA beginning in 1919, when the institution was named University of California, Southern Branch, and moving forward into the 1930s. This series was funded in part by Associated Students UCLA (ASUCLA).
Interviews in this series document the experiences and activities of student leaders at UCLA beginning in 1919, when the institution was named University of California, Southern Branch, and moving forward into the 1930s. This series was funded in part by Associated Students UCLA (ASUCLA).
Interviews in this series document the experiences and activities of student leaders at UCLA beginning in 1919, when the institution was named University of California, Southern Branch, and moving forward into the 1930s. This series was funded in part by Associated Students UCLA (ASUCLA).
Interviews in this series document the experiences and activities of student leaders at UCLA beginning in 1919, when the institution was named University of California, Southern Branch, and moving forward into the 1930s. This series was funded in part by Associated Students UCLA (ASUCLA).
Interviews in this series document the experiences and activities of student leaders at UCLA beginning in 1919, when the institution was named University of California, Southern Branch, and moving forward into the 1930s. This series was funded in part by Associated Students UCLA (ASUCLA).
Interviews in this series document the experiences and activities of student leaders at UCLA beginning in 1919, when the institution was named University of California, Southern Branch, and moving forward into the 1930s. This series was funded in part by Associated Students UCLA (ASUCLA).
Union organizer for the United Electrical, Radio and Machine Workers of America (UE), Oil, Chemical, and Atomic Workers International Union, and Federation of Retired Union Members (FORUM).
Interviews in this series were made possible by support from the UCLA Center for African American Studies, Institute of American Cultures. This is the first of several Oral History Program series focusing on social, cultural, economic, and political aspects of African American citizens in the Lo...
Biographical Note:
Owner-administrator of King Bail Bond Agency and administrator for the Pepperdine University School of Business and Management.
Interviews in this series were initiated by the Los Angeles Regional Planning History Group to ensure the preservation of recollections of pioneer planners in both the public and private sectors in the Los Angeles region.
Biographical Note:
Chief engineer of the Los Angeles County Regional Planning Commission.
Interviews in this series were made possible by support from the UCLA Center for African American Studies, Institute of American Cultures. This is the first of several Oral History Program series focusing on social, cultural, economic, and political aspects of African American citizens in the Lo...
Biographical Note:
President of Angelus Funeral Home, a long-term black-owned business in Los Angeles founded in 1925. Founder and president of radio station KJLH.
Interviews in this series were initiated by the Los Angeles Regional Planning History Group to ensure the preservation of recollections of pioneer planners in both the public and private sectors in the Los Angeles region.
Biographical Note:
Planning architect for the Los Angeles City Planning Department. Private consultant for Eisner and Associates and Eisner-Smith and Associates.
Interviews in this series were initiated by the Los Angeles Regional Planning History Group to ensure the preservation of recollections of pioneer planners in both the public and private sectors in the Los Angeles region.
Biographical Note:
Director of planning for the Los Angeles County Regional Planning Commission.
Interviews in this series were made possible by support from the UCLA Center for African American Studies, Institute of American Cultures. This is the first of several Oral History Program series focusing on social, cultural, economic, and political aspects of African American citizens in the Lo...
Biographical Note:
Manager of special field markets for Anheuser-Busch brewing company.
Interviews in this series were made possible by support from the UCLA Center for African American Studies, Institute of American Cultures. This is the first of several Oral History Program series focusing on social, cultural, economic, and political aspects of African American citizens in the Lo...
Biographical Note:
Publisher and business manager for the Los Angeles Sentinel.
These interviews with prominent individuals in the motion picture industry were completed under a grant from the National Endowment for the Humanities and the American Film Institute to the UCLA Department of Theater Arts. The project was directed by Howard Suber, UCLA Department of Theater Arts....
Interviews in this series document the experiences and activities of student leaders at UCLA beginning in 1919, when the institution was named University of California, Southern Branch, and moving forward into the 1930s. This series was funded in part by Associated Students UCLA (ASUCLA).
Interviews in this series document the experiences and activities of student leaders at UCLA beginning in 1919, when the institution was named University of California, Southern Branch, and moving forward into the 1930s. This series was funded in part by Associated Students UCLA (ASUCLA).
Interviews in this series document the experiences and activities of student leaders at UCLA beginning in 1919, when the institution was named University of California, Southern Branch, and moving forward into the 1930s. This series was funded in part by Associated Students UCLA (ASUCLA).
Interviews in this series document the experiences and activities of student leaders at UCLA beginning in 1919, when the institution was named University of California, Southern Branch, and moving forward into the 1930s. This series was funded in part by Associated Students UCLA (ASUCLA).
Interviews in this series document the experiences and activities of student leaders at UCLA beginning in 1919, when the institution was named University of California, Southern Branch, and moving forward into the 1930s. This series was funded in part by Associated Students UCLA (ASUCLA).
Interviews in this series document the experiences and activities of student leaders at UCLA beginning in 1919, when the institution was named University of California, Southern Branch, and moving forward into the 1930s. This series was funded in part by Associated Students UCLA (ASUCLA).
Interviews in this series document the experiences and activities of student leaders at UCLA beginning in 1919, when the institution was named University of California, Southern Branch, and moving forward into the 1930s. This series was funded in part by Associated Students UCLA (ASUCLA).
Interviews in this series document the experiences and activities of student leaders at UCLA beginning in 1919, when the institution was named University of California, Southern Branch, and moving forward into the 1930s. This series was funded in part by Associated Students UCLA (ASUCLA).
Interviews in this series document the experiences and activities of student leaders at UCLA beginning in 1919, when the institution was named University of California, Southern Branch, and moving forward into the 1930s. This series was funded in part by Associated Students UCLA (ASUCLA).
Interviews in this series document the experiences and activities of student leaders at UCLA beginning in 1919, when the institution was named University of California, Southern Branch, and moving forward into the 1930s. This series was funded in part by Associated Students UCLA (ASUCLA).
These interviews with prominent individuals in the motion picture industry were completed under a grant from the National Endowment for the Humanities and the American Film Institute to the UCLA Department of Theater Arts. The project was directed by Howard Suber, UCLA Department of Theater Arts....
Biographical Note:
Advertising and publicity director for Universal Studios.
These interviews with prominent individuals in the motion picture industry were completed under a grant from the National Endowment for the Humanities and the American Film Institute to the UCLA Department of Theater Arts. The project was directed by Howard Suber, UCLA Department of Theater Arts....
Biographical Note:
Public relations executive affiliated with Paramount, MGM, and Twentieth Century-Fox.
These interviews with prominent individuals in the motion picture industry were completed under a grant from the National Endowment for the Humanities and the American Film Institute to the UCLA Department of Theater Arts. The project was directed by Howard Suber, UCLA Department of Theater Arts....
Biographical Note:
Screenwriter, producer, and documentary filmmaker. Winner of Academy Award for Panic in the Streets.
These interviews with prominent individuals in the motion picture industry were completed under a grant from the National Endowment for the Humanities and the American Film Institute to the UCLA Department of Theater Arts. The project was directed by Howard Suber, UCLA Department of Theater Arts....
These interviews with prominent individuals in the motion picture industry were completed under a grant from the National Endowment for the Humanities and the American Film Institute to the UCLA Department of Theater Arts. The project was directed by Howard Suber, UCLA Department of Theater Arts....
These interviews with prominent individuals in the motion picture industry were completed under a grant from the National Endowment for the Humanities and the American Film Institute to the UCLA Department of Theater Arts. The project was directed by Howard Suber, UCLA Department of Theater Arts....
These interviews with prominent individuals in the motion picture industry were completed under a grant from the National Endowment for the Humanities and the American Film Institute to the UCLA Department of Theater Arts. The project was directed by Howard Suber, UCLA Department of Theater Arts....
These interviews with prominent individuals in the motion picture industry were completed under a grant from the National Endowment for the Humanities and the American Film Institute to the UCLA Department of Theater Arts. The project was directed by Howard Suber, UCLA Department of Theater Arts....
These interviews with prominent individuals in the motion picture industry were completed under a grant from the National Endowment for the Humanities and the American Film Institute to the UCLA Department of Theater Arts. The project was directed by Howard Suber, UCLA Department of Theater Arts....
Biographical Note:
Animator for Warner Bros. Known for development of Looney Tunes characters and the Pink Panther.
These interviews with prominent individuals in the motion picture industry were completed under a grant from the National Endowment for the Humanities and the American Film Institute to the UCLA Department of Theater Arts. The project was directed by Howard Suber, UCLA Department of Theater Arts....
Biographical Note:
Animator and co-owner of Fleischer Studios. Known for the Popeye the Sailor and Betty Boop cartoon series.
These interviews with prominent individuals in the motion picture industry were completed under a grant from the National Endowment for the Humanities and the American Film Institute to the UCLA Department of Theater Arts. The project was directed by Howard Suber, UCLA Department of Theater Arts....
Biographical Note:
Production manager for Selznick International Pictures and Twentieth Century-Fox. Vice president of RKO and general manager at MGM.
These interviews with prominent individuals in the motion picture industry were completed under a grant from the National Endowment for the Humanities and the American Film Institute to the UCLA Department of Theater Arts. The project was directed by Howard Suber, UCLA Department of Theater Arts....
These interviews with prominent individuals in the motion picture industry were completed under a grant from the National Endowment for the Humanities and the American Film Institute to the UCLA Department of Theater Arts. The project was directed by Howard Suber, UCLA Department of Theater Arts....
Biographical Note:
Film editor and winner of Academy Award for The Pride of the Yankees, The Best Years of Our Lives, and The Apartment.
These interviews with prominent individuals in the motion picture industry were completed under a grant from the National Endowment for the Humanities and the American Film Institute to the UCLA Department of Theater Arts. The project was directed by Howard Suber, UCLA Department of Theater Arts....
Biographical Note:
Film director and artist known for set design. Creator of the “Desert Rat Scrapbook.”
These interviews with prominent individuals in the motion picture industry were completed under a grant from the National Endowment for the Humanities and the American Film Institute to the UCLA Department of Theater Arts. The project was directed by Howard Suber, UCLA Department of Theater Arts....
These interviews with prominent individuals in the motion picture industry were completed under a grant from the National Endowment for the Humanities and the American Film Institute to the UCLA Department of Theater Arts. The project was directed by Howard Suber, UCLA Department of Theater Arts....
Biographical Note:
Cinematographer and winner of Academy Award winner for Gone with the Wind and Blood and Sand.
These interviews with prominent individuals in the motion picture industry were completed under a grant from the National Endowment for the Humanities and the American Film Institute to the UCLA Department of Theater Arts. The project was directed by Howard Suber, UCLA Department of Theater Arts....
Biographical Note:
Screenwriter and producer. Known for writing the script for Judgment at Nuremberg.
The interviews in the series African American Architects of Los Angeles document the work of selected African American architects who have enhanced the built environment, principally in the Los Angeles metropolitan area. Influenced by earlier pioneers such as Paul R. Williams, these individuals ...
Biographical Note:
African American architect who designed homes and churches in Los Angeles, including Chapel of Faith Baptist Church, Greater Life Missionary Baptist Church, and Greater New Jerusalem Missionary Baptist Church.
Interviews in this series were made possible by support from the UCLA Center for African American Studies, Institute of American Cultures. This is the first of several Oral History Program series focusing on social, cultural, economic, and political aspects of African American citizens in the Lo...
Biographical Note:
62nd district California State Assembly member from 1935 to 1963. Member of the U.S. House of Representatives from 1963 to 1991 serving as the he first black politician west of the Mississippi River elected to the House of Representatives.
The interviews in the series African American Architects of Los Angeles document the work of selected African American architects who have enhanced the built environment, principally in the Los Angeles metropolitan area. Influenced by earlier pioneers such as Paul R. Williams, these individuals ...
Biographical Note:
African American architect who designed government buildings, schools, homes, and civic centers, including Compton City Hall, South Central Los Angeles Multi-service and Child Development Center, and Compton Civic Center.
The interviews in the series African American Architects of Los Angeles document the work of selected African American architects who have enhanced the built environment, principally in the Los Angeles metropolitan area. Influenced by earlier pioneers such as Paul R. Williams, these individuals ...
Biographical Note:
African American architect and educator who designed homes, public buildings, and commercial spaces, including LAX Bradley International Terminal, the Compton Police Department building, and Ujima Village public housing project.
The interviews in the series African American Architects of Los Angeles document the work of selected African American architects who have enhanced the built environment, principally in the Los Angeles metropolitan area. Influenced by earlier pioneers such as Paul R. Williams, these individuals ...
Biographical Note:
African American architect and educator who designed large scale projects such as LAX Terminal One, San Bernardino City Hall, and the U.S. Embassy in Tokyo. First African American woman to become a licensed architect in the U.S.
These interviews with prominent individuals in the motion picture industry were completed under a grant from the National Endowment for the Humanities and the American Film Institute to the UCLA Department of Theater Arts. The project was directed by Howard Suber, UCLA Department of Theater Arts....
Actor, producer, and activist. Co-founder of the Art Against Apartheid Movement, the Negro Arts Theatre, and the Los Angeles Paul Robeson Community Center.