This series of interviews was undertaken in collaboration with the Art Directors Guild. Its aim is to document the lives and work of Guild members and staff who have made a significant contribution to film and television history. Interviews capture the work of title artists, set designers, art di...
Biographical Note:
Production designer with credits that include Suburbicon; Good Night, and Good Luck; 300; Confessions of a Dangerous Mind; Jumanji; The
Falcon and the Snowman; E.T. the Extra-Terrestrial; and Palmerstown, U.S.A.
The interviews in the series African Americans in Entertainment and Media are designed to document African Americans in television, radio, theater and film and aims to better understand how they overcame bias and discrimination and were trailblazers who opened doors for other African Americans in...
Biographical Note:
Television and music news reporter, news anchor, and actor. Anchor for Los Angeles local news station, KTLA.
Interviews in this series were conducted with filmmakers and artists in the area of feminist media and art of the seventies in Los Angeles.
Biographical Note:
Visual and performance artist. Trained at the Feminist Studio Workshop at the Woman’s Building, Los Angeles. Co-founder of Feminist Art Workers, and Sisters of Survival.
The interviews in the series African Americans in Entertainment and Media are designed to document African Americans in television, radio, theater and film and aims to better understand how they overcame bias and discrimination and were trailblazers who opened doors for other African Americans in...
Biographical Note:
Choreographer, dancer, and actor. Member, with younger brother Harold Nicholas, of the Nicolas Brothers jazz tap dance duo.
These interviews with prominent individuals in the motion picture industry were completed under a grant from the National Endowment for the Humanities and the American Film Institute to the UCLA Department of Theater Arts. The project was directed by Howard Suber, UCLA Department of Theater Arts....
This series includes interviews with several members of the Los Angeles Newsreel Collective, a group active between 1968 and 1971 that was modeled on the Workers’ Film and Photo League. The group's aim was to exhibit films with a radical leftist point of view to a wide range of audiences.