Interviews in this series were conducted with filmmakers and artists in the area of feminist media and art of the seventies in Los Angeles.
Biographical Note:
Feminist film director known for The Student Nurses(1970) and The Velvet Vampire(1971) for New World Pictures. Co-founder of Dimension Pictures , making Group Marriage (1973), Terminal Island (1973), The Working Girls (1974).
Interviews in this series were conducted with filmmakers and artists in the area of feminist media and art of the seventies in Los Angeles.
Biographical Note:
Visual and performance artist. Trained at the Feminist Studio Workshop at the Woman’s Building, Los Angeles. Co-founder of Feminist Art Workers, and Sisters of Survival.
This series includes interviews with several members of the Los Angeles Newsreel Collective, a group active between 1968 and 1971 that was modeled on the Workers’ Film and Photo League. The group's aim was to exhibit films with a radical leftist point of view to a wide range of audiences.
Interviews in this series were conducted with filmmakers and artists in the area of feminist media and art of the seventies in Los Angeles.
Biographical Note:
Innovator of a documentary form combining subjectivity, ethnography and expressionism, working frequently in Mexico. Founder of Canyon CinemaNews. Professor of film at Occidental college.
This series includes interviews with several members of the Los Angeles Newsreel Collective, a group active between 1968 and 1971 that was modeled on the Workers’ Film and Photo League. The group's aim was to exhibit films with a radical leftist point of view to a wide range of audiences.
This series includes interviews with studio workers who gained entry to the motion picture industry following Title VII of the 1964 Civil Rights Act. They were donated to the UCLA Center for Oral History Research by Andrew Dawson of the University of Greenwich, London, who conducted them as part ...
Biographical Note:
Camera operator. Active in the union International Association for the Study of Traditional Environments (IASTE) Local 659.
This series includes interviews with studio workers who gained entry to the motion picture industry following Title VII of the 1964 Civil Rights Act. They were donated to the UCLA Center for Oral History Research by Andrew Dawson of the University of Greenwich, London, who conducted them as part ...
Biographical Note:
Crewman. One of the first African Americans to work in Hollywood in the areas of stage lighting, rigging, and as a best boy.