Interviews in this series preserve the spoken memories of individuals, mainly musicians, who were raised near and/or performed on Los Angeles's Central Avenue from the late 1920s to the mid-1950s.
Interviews in this series preserve the spoken memories of individuals, mainly musicians, who were raised near and/or performed on Los Angeles's Central Avenue from the late 1920s to the mid-1950s.
Biographical Note:
Jazz saxophone, clarinet, and flute player. Music educator at the Los Angeles Conservatory of Music and Arts and owner of a music education studio in Los Angeles.
Interviews in this series preserve the spoken memories of individuals, mainly musicians, who were raised near and/or performed on Los Angeles's Central Avenue from the late 1920s to the mid-1950s.
Interviews in this series preserve the spoken memories of individuals, mainly musicians, who were raised near and/or performed on Los Angeles's Central Avenue from the late 1920s to the mid-1950s.
The interviews in the series African American Architects of Los Angeles document the work of selected African American architects who have enhanced the built environment, principally in the Los Angeles metropolitan area. Influenced by earlier pioneers such as Paul R. Williams, these individuals ...
Biographical Note:
African American architect who designed schools and public buildings, including Carson City Hall and Community Center, Van Nuys State Office Building, and LAX Parking Structures 1, 3, and 4. Championed minorities in the architectural profession, creating mentorship programs for schools in the Los...
Interviews in this series were made possible by support from the UCLA Center for African American Studies, Institute of American Cultures. This is the first of several Oral History Program series focusing on social, cultural, economic, and political aspects of African American citizens in the Lo...
Biographical Note:
Co-founder, director, and chair of Golden State Mutual Life Insurance Company, one of the largest Black-owned insurance companies in the United States.
This series includes interviews with studio workers who gained entry to the motion picture industry following Title VII of the 1964 Civil Rights Act. They were donated to the UCLA Center for Oral History Research by Andrew Dawson of the University of Greenwich, London, who conducted them as part ...
Biographical Note:
Crewman. One of the first African Americans to work in Hollywood in the areas of stage lighting, rigging, and as a best boy.
This series includes interviews with studio workers who gained entry to the motion picture industry following Title VII of the 1964 Civil Rights Act. They were donated to the UCLA Center for Oral History Research by Andrew Dawson of the University of Greenwich, London, who conducted them as part ...
Biographical Note:
Camera operator. Active in the union International Association for the Study of Traditional Environments (IASTE) Local 659.