The interviews in the series African Americans in Entertainment and Media are designed to document African Americans in television, radio, theater and film and aims to better understand how they overcame bias and discrimination and were trailblazers who opened doors for other African Americans in...
The interviews in the series African Americans in Entertainment and Media are designed to document African Americans in television, radio, theater and film and aims to better understand how they overcame bias and discrimination and were trailblazers who opened doors for other African Americans in...
The interviews in the series African Americans in Entertainment and Media are designed to document African Americans in television, radio, theater and film and aims to better understand how they overcame bias and discrimination and were trailblazers who opened doors for other African Americans in...
The interviews in the series African Americans in Entertainment and Media are designed to document African Americans in television, radio, theater and film and aims to better understand how they overcame bias and discrimination and were trailblazers who opened doors for other African Americans in...
Biographical Note:
Television and music news reporter, news anchor, and actor. Anchor for Los Angeles local news station, KTLA.
This series includes interviews with several members of the Los Angeles Newsreel Collective, a group active between 1968 and 1971 that was modeled on the Workers’ Film and Photo League. The group's aim was to exhibit films with a radical leftist point of view to a wide range of audiences.
This series includes interviews with several members of the Los Angeles Newsreel Collective, a group active between 1968 and 1971 that was modeled on the Workers’ Film and Photo League. The group's aim was to exhibit films with a radical leftist point of view to a wide range of audiences.
This series includes interviews with several members of the Los Angeles Newsreel Collective, a group active between 1968 and 1971 that was modeled on the Workers’ Film and Photo League. The group's aim was to exhibit films with a radical leftist point of view to a wide range of audiences.
This series of interviews documents the work of costumers in the film and television industries in Los Angeles. The interviews preserve a dimension of Hollywood history and Los Angeles history that has been under-documented to date.
Biographical Note:
Costume maker who had a career in film, television, and custom-made fashion. Costume maker who had a career in film, television, and custom-made fashion. Won a Lifetime Achievement Award from the Motion Picture Costumers, International Alliance of Theatrical Stage Employees (IATSE) Local 705.
This series of interviews documents the work of costumers in the film and television industries in Los Angeles. The interviews preserve a dimension of Hollywood history and Los Angeles history that has been under-documented to date.
Biographical Note:
Costume director for San Francisco Opera and L.A. Opera. Shop manager for Star Wars: Episode VI, Return of the Jedi.
This series of interviews documents the work of costumers in the film and television industries in Los Angeles. The interviews preserve a dimension of Hollywood history and Los Angeles history that has been under-documented to date.
Biographical Note:
Costumer who worked on the movies Harold and Maude, The Sting, Raging Bull, Mommie Dearest, Hook, Seabiscuit, Walk the Line, and The Assassination of Jesse James by the Coward Robert Ford. Also created costumes for television movies and series, including Star Trek: The Original Series, the Missio...
This series of interviews documents the work of costumers in the film and television industries in Los Angeles. The interviews preserve a dimension of Hollywood history and Los Angeles history that has been under-documented to date.
Biographical Note:
Owner of Studio Art Metal, a shop that has provided metalwork for the costume and props department for hundreds of films and television productions.
This series includes interviews with studio workers who gained entry to the motion picture industry following Title VII of the 1964 Civil Rights Act. They were donated to the UCLA Center for Oral History Research by Andrew Dawson of the University of Greenwich, London, who conducted them as part ...
Biographical Note:
Camera operator. Active in the union International Association for the Study of Traditional Environments (IASTE) Local 659.
This series includes interviews with studio workers who gained entry to the motion picture industry following Title VII of the 1964 Civil Rights Act. They were donated to the UCLA Center for Oral History Research by Andrew Dawson of the University of Greenwich, London, who conducted them as part ...
Biographical Note:
Crewman. One of the first African Americans to work in Hollywood in the areas of stage lighting, rigging, and as a best boy.
Interviews in this series were conducted with filmmakers and artists in the area of feminist media and art of the seventies in Los Angeles.
Biographical Note:
Innovator of a documentary form combining subjectivity, ethnography and expressionism, working frequently in Mexico. Founder of Canyon CinemaNews. Professor of film at Occidental college.
This series of interviews was undertaken in collaboration with the Art Directors Guild. Its aim is to document the lives and work of Guild members and staff who have made a significant contribution to film and television history. Interviews capture the work of title artists, set designers, art di...
Biographical Note:
Motion picture title artist who began at Metro-Goldwyn-Mayer Studios in the early sixties and continued through work at the Walt Disney Company in the 2000s.
This series of interviews was undertaken in collaboration with the Art Directors Guild. Its aim is to document the lives and work of Guild members and staff who have made a significant contribution to film and television history. Interviews capture the work of title artists, set designers, art di...
Biographical Note:
Set designer, art director and fine arts painter who has worked on We Bought a Zoo, Six Feet Under, and many other productions.
This series of interviews was undertaken in collaboration with the Art Directors Guild. Its aim is to document the lives and work of Guild members and staff who have made a significant contribution to film and television history. Interviews capture the work of title artists, set designers, art di...
Biographical Note:
Scenic artist at NBC Studios from 1958 to 1987. Began work at ABC Studios after a time as head of own company, Premiere Scenery, which did work for the Golden Globes and other productions.
This series of interviews was undertaken in collaboration with the Art Directors Guild. Its aim is to document the lives and work of Guild members and staff who have made a significant contribution to film and television history. Interviews capture the work of title artists, set designers, art di...
Biographical Note:
Production designer, art director, set designer. Work on War of the Worlds, The Polar Express, Beowulf. Work in “motion capture” and in theme parks. Art Directors Guild Lifetime Achievement Award honoree.