Interviews in this series were conducted with filmmakers and artists in the area of feminist media and art of the seventies in Los Angeles.
Biographical Note:
Visual and performance artist. Trained at the Feminist Studio Workshop at the Woman’s Building, Los Angeles. Co-founder of Feminist Art Workers, and Sisters of Survival.
This series includes interviews with several members of the Los Angeles Newsreel Collective, a group active between 1968 and 1971 that was modeled on the Workers’ Film and Photo League. The group's aim was to exhibit films with a radical leftist point of view to a wide range of audiences.
This series includes interviews with several members of the Los Angeles Newsreel Collective, a group active between 1968 and 1971 that was modeled on the Workers’ Film and Photo League. The group's aim was to exhibit films with a radical leftist point of view to a wide range of audiences.
This series includes interviews with several members of the Los Angeles Newsreel Collective, a group active between 1968 and 1971 that was modeled on the Workers’ Film and Photo League. The group's aim was to exhibit films with a radical leftist point of view to a wide range of audiences.
Interviews in this series were conducted with filmmakers and artists in the area of feminist media and art of the seventies in Los Angeles.
Biographical Note:
Innovator of a documentary form combining subjectivity, ethnography and expressionism, working frequently in Mexico. Founder of Canyon CinemaNews. Professor of film at Occidental college.
Interviews in this series preserve the recollections of selected individuals in Los Angeles who were affected by the Hollywood blacklist during the Joseph R. McCarthy-J. Edgar Hoover era.
Biographical Note:
Wife of screenwriter and film producer Paul Jarrico, who was blacklisted in the post-World War II Hollywood blacklist.