U.S. senator from 1943 to 1955 and 38th district California State Assembly member from 1936 to 1942. Head of the California Senate Factfinding Subcommittee on Un-American Activities ("Tenney Committee") and leader of anti-communist investigations.
Interviews in this series were undertaken by the UCLA Oral History Program in conjunction with similar efforts at the University of California, Berkeley, Regional Oral History Office; Claremont Graduate School Oral History Program; California State University, Fullerton, Oral History Program; and...
Interviews in this series were conducted with filmmakers and artists in the area of feminist media and art of the seventies in Los Angeles.
Biographical Note:
Feminist film director known for The Student Nurses(1970) and The Velvet Vampire(1971) for New World Pictures. Co-founder of Dimension Pictures , making Group Marriage (1973), Terminal Island (1973), The Working Girls (1974).
Interviews in this series were conducted with filmmakers and artists in the area of feminist media and art of the seventies in Los Angeles.
Biographical Note:
Visual and performance artist. Trained at the Feminist Studio Workshop at the Woman’s Building, Los Angeles. Co-founder of Feminist Art Workers, and Sisters of Survival.
This series includes interviews with several members of the Los Angeles Newsreel Collective, a group active between 1968 and 1971 that was modeled on the Workers’ Film and Photo League. The group's aim was to exhibit films with a radical leftist point of view to a wide range of audiences.
Interviews in this series were conducted with filmmakers and artists in the area of feminist media and art of the seventies in Los Angeles.
Biographical Note:
Innovator of a documentary form combining subjectivity, ethnography and expressionism, working frequently in Mexico. Founder of Canyon CinemaNews. Professor of film at Occidental college.
This series includes interviews with several members of the Los Angeles Newsreel Collective, a group active between 1968 and 1971 that was modeled on the Workers’ Film and Photo League. The group's aim was to exhibit films with a radical leftist point of view to a wide range of audiences.
This series includes interviews with several members of the Los Angeles Newsreel Collective, a group active between 1968 and 1971 that was modeled on the Workers’ Film and Photo League. The group's aim was to exhibit films with a radical leftist point of view to a wide range of audiences.