This series of interviews documents the work of costumers in the film and television industries in Los Angeles. The interviews preserve a dimension of Hollywood history and Los Angeles history that has been under-documented to date.
Biographical Note:
Co-founder of Muto-Little custom-made costume shop. Career in costuming that has included work in film, television, opera, and popular music.
This series of interviews documents the work of costumers in the film and television industries in Los Angeles. The interviews preserve a dimension of Hollywood history and Los Angeles history that has been under-documented to date.
Biographical Note:
Co-founder of Muto-Little custom-made costume shop. Career in costuming that has included work in film, television, opera, and popular music.
This series of interviews documents the work of costumers in the film and television industries in Los Angeles. The interviews preserve a dimension of Hollywood history and Los Angeles history that has been under-documented to date.
Biographical Note:
Textile artist and owner of A Dyeing Art, a textile art studio established in 1984.
This series of interviews was undertaken in collaboration with the Art Directors Guild. Its aim is to document the lives and work of Guild members and staff who have made a significant contribution to film and television history. Interviews capture the work of title artists, set designers, art di...
Biographical Note:
Production designer with credits that include Lost in Translation, Her, and Where the Wild Things Are.
This series of interviews was undertaken in collaboration with the Art Directors Guild. Its aim is to document the lives and work of Guild members and staff who have made a significant contribution to film and television history. Interviews capture the work of title artists, set designers, art di...
Biographical Note:
Production designer with expertise in animation and visual effects who worked on River's Edge, Home Alone, and Species. Professor of production design at California State University, Long Beach.
This series of interviews was undertaken in collaboration with the Art Directors Guild. Its aim is to document the lives and work of Guild members and staff who have made a significant contribution to film and television history. Interviews capture the work of title artists, set designers, art di...
Biographical Note:
Lead scenic artist for Warner Bros., with credits including The Perfect Storm, Lemony Snicket’s A Series of Unfortunate Events, and The Curious Case of Benjamin Button. Served as Art Directors Guild associate executive director.
This series of interviews was undertaken in collaboration with the Art Directors Guild. Its aim is to document the lives and work of Guild members and staff who have made a significant contribution to film and television history. Interviews capture the work of title artists, set designers, art di...
Biographical Note:
Scenic artist at CBS Television City for over forty years; past president of Local 816, Scenic, Title, and Graphic Artists.
This series of interviews was undertaken in collaboration with the Art Directors Guild. Its aim is to document the lives and work of Guild members and staff who have made a significant contribution to film and television history. Interviews capture the work of title artists, set designers, art di...
Biographical Note:
Owners of Shaffner/Stewart-Production Design, which designed sets for Two and a Half Men, The Big Bang Theory, Friends, several David Copperfield specials, The George Lopez Show, and The Ellen DeGeneres Show. Their work has received several Emmy Awards.
This series of interviews was undertaken in collaboration with the Art Directors Guild. Its aim is to document the lives and work of Guild members and staff who have made a significant contribution to film and television history. Interviews capture the work of title artists, set designers, art di...
Biographical Note:
Art director and production designer. Known for Frasier, Wings, Murphy Brown, and Academy Awards, among many other productions.
This series of interviews was undertaken in collaboration with the Art Directors Guild. Its aim is to document the lives and work of Guild members and staff who have made a significant contribution to film and television history. Interviews capture the work of title artists, set designers, art di...
Biographical Note:
Set designer with credits that include Comes a Horseman, Wild and Free (1978), and Back to the Future Part II (1989) and Part III (1999). Worked in Universal Studios art department.
This series of interviews was undertaken in collaboration with the Art Directors Guild. Its aim is to document the lives and work of Guild members and staff who have made a significant contribution to film and television history. Interviews capture the work of title artists, set designers, art di...
Biographical Note:
Production designer with credits that include Suburbicon; Good Night, and Good Luck; 300; Confessions of a Dangerous Mind; Jumanji; The Falcon and the Snowman; E.T. the Extra-Terrestrial; and Palmerstown, U.S.A.
The interviews in the series African Americans in Entertainment and Media are designed to document African Americans in television, radio, theater and film and aims to better understand how they overcame bias and discrimination and were trailblazers who opened doors for other African Americans in...
Biographical Note:
Publicist and press officer. Founder and president of public relations firm, Tobin & Associates, Inc.
The interviews in the series African Americans in Entertainment and Media are designed to document African Americans in television, radio, theater and film and aims to better understand how they overcame bias and discrimination and were trailblazers who opened doors for other African Americans in...
Biographical Note:
Choreographer, dancer, and actor. Member, with younger brother Harold Nicholas, of the Nicolas Brothers jazz tap dance duo.
The interviews in the series African Americans in Entertainment and Media are designed to document African Americans in television, radio, theater and film and aims to better understand how they overcame bias and discrimination and were trailblazers who opened doors for other African Americans in...
The interviews in the series African Americans in Entertainment and Media are designed to document African Americans in television, radio, theater and film and aims to better understand how they overcame bias and discrimination and were trailblazers who opened doors for other African Americans in...
The interviews in the series African Americans in Entertainment and Media are designed to document African Americans in television, radio, theater and film and aims to better understand how they overcame bias and discrimination and were trailblazers who opened doors for other African Americans in...
Interviews in this series were conducted with filmmakers and artists in the area of feminist media and art of the seventies in Los Angeles.
Biographical Note:
Visual and performance artist. Trained at the Feminist Studio Workshop at the Woman’s Building, Los Angeles. Co-founder of Feminist Art Workers, and Sisters of Survival.
This series includes interviews with several members of the Los Angeles Newsreel Collective, a group active between 1968 and 1971 that was modeled on the Workers’ Film and Photo League. The group's aim was to exhibit films with a radical leftist point of view to a wide range of audiences.
This series includes interviews with several members of the Los Angeles Newsreel Collective, a group active between 1968 and 1971 that was modeled on the Workers’ Film and Photo League. The group's aim was to exhibit films with a radical leftist point of view to a wide range of audiences.