The interviews in the series Art History - Oral Documentation Project are part of a cooperative venture between the Oral History Program and the Getty Center for the History of Art and the Humanities, documents a generation of scholars who developed and elaborated paradigms of art history establi...
Biographical Note:
Yale University art historian and professor with a focus on Pre-Columbian American and Ibero-American art.
Interviews in this series preserve the recollections of selected individuals in Los Angeles who were affected by the Hollywood blacklist during the Joseph R. McCarthy-J. Edgar Hoover era.
Biographical Note:
Screenwriter who was blacklisted in the post-World War II Hollywood blacklist.
The interviews in the series Art History - Oral Documentation Project are part of a cooperative venture between the Oral History Program and the Getty Center for the History of Art and the Humanities, documents a generation of scholars who developed and elaborated paradigms of art history establi...
Biographical Note:
Collector of contemporary art and archival materials relating to the Dada and Surrealist movements. Organizer of the Jean Brown Archives at Shaker Seed House in Tyringham, Massachusetts.
Interviews in this series preserve the recollections of selected individuals in Los Angeles who were affected by the Hollywood blacklist during the Joseph R. McCarthy-J. Edgar Hoover era.
Biographical Note:
Journalist who wrote articles exposing the post-World War II Hollywood blacklist.
Interviews in this series preserve the recollections of selected individuals in Los Angeles who were affected by the Hollywood blacklist during the Joseph R. McCarthy-J. Edgar Hoover era.
Biographical Note:
Story editor who was blacklisted in the post-World War II Hollywood blacklist.
Interviews in this series preserve the recollections of selected individuals in Los Angeles who were affected by the Hollywood blacklist during the Joseph R. McCarthy-J. Edgar Hoover era.
Biographical Note:
Actor and acting teacher who was blacklisted in the post-World War II Hollywood blacklist.
The interviews in the series Art History - Oral Documentation Project are part of a cooperative venture between the Oral History Program and the Getty Center for the History of Art and the Humanities, documents a generation of scholars who developed and elaborated paradigms of art history establi...
Biographical Note:
Director of Cleveland Museum of Art with expertise in Asian art.
The interviews in the series Art History - Oral Documentation Project are part of a cooperative venture between the Oral History Program and the Getty Center for the History of Art and the Humanities, documents a generation of scholars who developed and elaborated paradigms of art history establi...
Biographical Note:
Director of Villa i Tatti under the Harvard University Center for Italian Renaissance Studies in Florence, Italy. Leader of first U.S. university-based conservation program at New York University Institute of Fine Arts.
The interviews in the series Art History - Oral Documentation Project are part of a cooperative venture between the Oral History Program and the Getty Center for the History of Art and the Humanities, documents a generation of scholars who developed and elaborated paradigms of art history establi...
Biographical Note:
Director of Fogg Art Museum. Professor of fine arts at Harvard University with a focus on modern art and architecture.
The interviews in the series Art History - Oral Documentation Project are part of a cooperative venture between the Oral History Program and the Getty Center for the History of Art and the Humanities, documents a generation of scholars who developed and elaborated paradigms of art history establi...
Biographical Note:
University of Chicago and Kunsthistorisches Institut, Free University of Berlin professor of art history with a focus in medieval and Renaissance architecture.
The interviews in the series Art History - Oral Documentation Project are part of a cooperative venture between the Oral History Program and the Getty Center for the History of Art and the Humanities, documents a generation of scholars who developed and elaborated paradigms of art history establi...
Biographical Note:
Director of the Pinacoteca Estense di Modena, inspector of museums and art galleries for the Ministry of Fine Arts, and founder and editor of Storia dell'Arte.
The interviews in the series Art History - Oral Documentation Project are part of a cooperative venture between the Oral History Program and the Getty Center for the History of Art and the Humanities, documents a generation of scholars who developed and elaborated paradigms of art history establi...
Biographical Note:
President of City Spirit Artists, Inc. and vice president of Long Wharf Theatre.
The interviews in the series Art History - Oral Documentation Project are part of a cooperative venture between the Oral History Program and the Getty Center for the History of Art and the Humanities, documents a generation of scholars who developed and elaborated paradigms of art history establi...
Biographical Note:
Smith College professor of art. Archaeologist and art historian who conducted excavations at Samothrace.
The interviews in the series Art History - Oral Documentation Project are part of a cooperative venture between the Oral History Program and the Getty Center for the History of Art and the Humanities, documents a generation of scholars who developed and elaborated paradigms of art history establi...
Biographical Note:
University of Pennsylvania professor of architecture with a focus on history and theory.
The interviews in the series Art History - Oral Documentation Project are part of a cooperative venture between the Oral History Program and the Getty Center for the History of Art and the Humanities, documents a generation of scholars who developed and elaborated paradigms of art history establi...
Biographical Note:
Director of Williams College Museum of Art. Williams College professor of art.
Interviews in this series preserve the spoken memories of individuals, mainly musicians, who were raised near and/or performed on Los Angeles's Central Avenue from the late 1920s to the mid-1950s.
This series of interviews looks back on Synanon, the first self-help residential community for drug rehabilitation in the United States, which was founded in Venice, California in 1959 and continued through the early 1990s. In the interviews the former residents speak from their own experience in...
The interviews in the series Allensworth Community feature recollections of the descendants of Allensworth (California) residents and founders. The town was established in 1908 by Lieutenant Colonel Allen Allensworth (1842-1914), at that time the highest-ranking African American officer in histor...
The interviews in the series Art History - Oral Documentation Project are part of a cooperative venture between the Oral History Program and the Getty Center for the History of Art and the Humanities, documents a generation of scholars who developed and elaborated paradigms of art history establi...
Biographical Note:
Art historian and professor at Harvard University with a focus in Italian Renaissance architecture history.
The interviews in the series Art History - Oral Documentation Project are part of a cooperative venture between the Oral History Program and the Getty Center for the History of Art and the Humanities, documents a generation of scholars who developed and elaborated paradigms of art history establi...
Biographical Note:
Yale University professor of art history and Williams College professor of art. Curator of modern art at Yale University Art Gallery and director of Clark Art Institute at Williams College.
The interviews in the series Art History - Oral Documentation Project are part of a cooperative venture between the Oral History Program and the Getty Center for the History of Art and the Humanities, documents a generation of scholars who developed and elaborated paradigms of art history establi...
Biographical Note:
Princeton University professor of art and archaeology with a focus on Byzantine and medieval art.
The interviews in the series Art History - Oral Documentation Project are part of a cooperative venture between the Oral History Program and the Getty Center for the History of Art and the Humanities, documents a generation of scholars who developed and elaborated paradigms of art history establi...
The interviews in the series Art History - Oral Documentation Project are part of a cooperative venture between the Oral History Program and the Getty Center for the History of Art and the Humanities, documents a generation of scholars who developed and elaborated paradigms of art history establi...
Biographical Note:
Historian, architect, and critic with a focus on Italian Renaissance architecture.
The interviews in the series Art History - Oral Documentation Project are part of a cooperative venture between the Oral History Program and the Getty Center for the History of Art and the Humanities, documents a generation of scholars who developed and elaborated paradigms of art history establi...
Biographical Note:
Columbia University's Barnard College professor of art history with a focus on works by Dutch painters.
Interviews in this series preserve the spoken memories of individuals, mainly musicians, who were raised near and/or performed on Los Angeles's Central Avenue from the late 1920s to the mid-1950s.
Biographical Note:
Music producer. Co-founder and co-owner of Modern Music and Independent Record Distributers.
Interviews in this series preserve the spoken memories of individuals, mainly musicians, who were raised near and/or performed on Los Angeles's Central Avenue from the late 1920s to the mid-1950s.
Interviews in this series preserve the spoken memories of individuals, mainly musicians, who were raised near and/or performed on Los Angeles's Central Avenue from the late 1920s to the mid-1950s.
Biographical Note:
Jazz trombonist player. Member of the Woodman brothers, player with Charles Mingus, and member of Duke Ellington's band.
Interviews in this series preserve the spoken memories of individuals, mainly musicians, who were raised near and/or performed on Los Angeles's Central Avenue from the late 1920s to the mid-1950s.
Biographical Note:
Jazz drummer. Advocated for the amalgamation of the black musicians' union Local 767 and white musicians' union Local 47.
Interviews in this series preserve the spoken memories of individuals, mainly musicians, who were raised near and/or performed on Los Angeles's Central Avenue from the late 1920s to the mid-1950s.
Biographical Note:
Jazz bandleader, composer, arranger, and trumpet player.
Interviews in this series preserve the spoken memories of individuals, mainly musicians, who were raised near and/or performed on Los Angeles's Central Avenue from the late 1920s to the mid-1950s.
Interviews in this series preserve the spoken memories of individuals, mainly musicians, who were raised near and/or performed on Los Angeles's Central Avenue from the late 1920s to the mid-1950s.
Interviews in this series preserve the spoken memories of individuals, mainly musicians, who were raised near and/or performed on Los Angeles's Central Avenue from the late 1920s to the mid-1950s.
Interviews in this series preserve the spoken memories of individuals, mainly musicians, who were raised near and/or performed on Los Angeles's Central Avenue from the late 1920s to the mid-1950s.
Interviews in this series preserve the spoken memories of individuals, mainly musicians, who were raised near and/or performed on Los Angeles's Central Avenue from the late 1920s to the mid-1950s.
Interviews in this series preserve the spoken memories of individuals, mainly musicians, who were raised near and/or performed on Los Angeles's Central Avenue from the late 1920s to the mid-1950s.
Interviews in this series preserve the spoken memories of individuals, mainly musicians, who were raised near and/or performed on Los Angeles's Central Avenue from the late 1920s to the mid-1950s.
Interviews in this series preserve the spoken memories of individuals, mainly musicians, who were raised near and/or performed on Los Angeles's Central Avenue from the late 1920s to the mid-1950s.
Interviews in this series preserve the spoken memories of individuals, mainly musicians, who were raised near and/or performed on Los Angeles's Central Avenue from the late 1920s to the mid-1950s.
Interviews in this series preserve the spoken memories of individuals, mainly musicians, who were raised near and/or performed on Los Angeles's Central Avenue from the late 1920s to the mid-1950s.
Biographical Note:
Jazz piano player. Advocate for the amalgamation of the black musicians' union Local 767 and white musicians' union Local 47.
U.S. senator from 1943 to 1955 and 38th district California State Assembly member from 1936 to 1942. Head of the California Senate Factfinding Subcommittee on Un-American Activities ("Tenney Committee") and leader of anti-communist investigations.
Son of Griffith park founder Griffith Jenkins Griffith. President of the Los Angeles Park Board and was manager of the Griffith Park Transportation Company. Member of the Los Angeles Police Commission.
UCLA university archivist, director of the UCLA Oral History Program, and head of the UCLA Department of Special Collections. First president of the Society of California Archivists.
Dean of the UCLA College of Business Administration. Head of management training for the UCLA Engineering, Science, and Management War Training Program.