These interviews with prominent individuals in the motion picture industry were completed under a grant from the National Endowment for the Humanities and the American Film Institute to the UCLA Department of Theater Arts. The project was directed by Howard Suber, UCLA Department of Theater Arts....
These interviews with prominent individuals in the motion picture industry were completed under a grant from the National Endowment for the Humanities and the American Film Institute to the UCLA Department of Theater Arts. The project was directed by Howard Suber, UCLA Department of Theater Arts....
These interviews with prominent individuals in the motion picture industry were completed under a grant from the National Endowment for the Humanities and the American Film Institute to the UCLA Department of Theater Arts. The project was directed by Howard Suber, UCLA Department of Theater Arts....
Biographical Note:
Film director and artist known for set design. Creator of the “Desert Rat Scrapbook.”
These interviews with prominent individuals in the motion picture industry were completed under a grant from the National Endowment for the Humanities and the American Film Institute to the UCLA Department of Theater Arts. The project was directed by Howard Suber, UCLA Department of Theater Arts....
Interviews in this series were conducted with filmmakers and artists in the area of feminist media and art of the seventies in Los Angeles.
Biographical Note:
Feminist film director known for The Student Nurses(1970) and The Velvet Vampire(1971) for New World Pictures. Co-founder of Dimension Pictures , making Group Marriage (1973), Terminal Island (1973), The Working Girls (1974).
This series includes interviews with studio workers who gained entry to the motion picture industry following Title VII of the 1964 Civil Rights Act. They were donated to the UCLA Center for Oral History Research by Andrew Dawson of the University of Greenwich, London, who conducted them as part ...
Biographical Note:
Camera operator. Active in the union International Association for the Study of Traditional Environments (IASTE) Local 659.
This series includes interviews with studio workers who gained entry to the motion picture industry following Title VII of the 1964 Civil Rights Act. They were donated to the UCLA Center for Oral History Research by Andrew Dawson of the University of Greenwich, London, who conducted them as part ...
Biographical Note:
Crewman. One of the first African Americans to work in Hollywood in the areas of stage lighting, rigging, and as a best boy.