This series documents the history of the Los Angeles Institute of Contemporary Art (LAICA) from its founding in 1974 into the early 1980s, LAICA closed several years after these interviews were completed.
This series documents the history of the Los Angeles Institute of Contemporary Art (LAICA) from its founding in 1974 into the early 1980s, LAICA closed several years after these interviews were completed.
This series documents the history of the Los Angeles Institute of Contemporary Art (LAICA) from its founding in 1974 into the early 1980s, LAICA closed several years after these interviews were completed.
This series documents the history of the Los Angeles Institute of Contemporary Art (LAICA) from its founding in 1974 into the early 1980s, LAICA closed several years after these interviews were completed.
The Craft and Folk Art Museum (CAFAM), founded in Los Angeles by Edith and Frank Wyle, grew out of The Egg and The Eye, a commercial art gallery/restaurant devoted to international contemporary craft and folk art—and (in the restaurant) omelettes. The gallery opened November 1, 1965 at 5814 Wilsh...
Biographical Note:
Craft and Folk Art Museum Board Member, 1976 – 1981, 1991 – 1997, 2003 – 1010. Founding Member, Folk Art Council, 1979 – 1997; Chair, Folk Art Market, 1983 – 1997; Associates Member, 1986 – 1996.
The Craft and Folk Art Museum (CAFAM), founded in Los Angeles by Edith and Frank Wyle, grew out of The Egg and The Eye, a commercial art gallery/restaurant devoted to international contemporary craft and folk art—and (in the restaurant) omelettes. The gallery opened November 1, 1965 at 5814 Wilsh...
Biographical Note:
Craft and Folk Art Museum Research Library Administrative Assistant and Registrar’s Assistant in eighties and early nineties. Craft and Folk Art Museum Shop Assistant and Co-Manager 1989-90.
The Craft and Folk Art Museum (CAFAM), founded in Los Angeles by Edith and Frank Wyle, grew out of The Egg and The Eye, a commercial art gallery/restaurant devoted to international contemporary craft and folk art—and (in the restaurant) omelettes. The gallery opened November 1, 1965 at 5814 Wilsh...
Biographical Note:
Founding member of Craft and Folk Art Museum Board of Trustees, 1975 – 1983.
The Craft and Folk Art Museum (CAFAM), founded in Los Angeles by Edith and Frank Wyle, grew out of The Egg and The Eye, a commercial art gallery/restaurant devoted to international contemporary craft and folk art—and (in the restaurant) omelettes. The gallery opened November 1, 1965 at 5814 Wilsh...
Biographical Note:
Craft and Folk Art Museum Administrative Director, 1975 – 1984; Executive Director, 1984 – 1996; Board Chairman, 1999 – 2002; Acting Director, 2002; Board Member, 1999 - 2004.
The Craft and Folk Art Museum (CAFAM), founded in Los Angeles by Edith and Frank Wyle, grew out of The Egg and The Eye, a commercial art gallery/restaurant devoted to international contemporary craft and folk art—and (in the restaurant) omelettes. The gallery opened November 1, 1965 at 5814 Wilsh...
Biographical Note:
Developer and Coordinator, Craft and Folk Art Museum Festival of Masks, 1977, 1978; Assistant to Program Director, 1978 – 1980; Senior Curator, 1981 – 1984; Staff Liaison, Contemporary Craft Council, 1979 – 1984.
The Craft and Folk Art Museum (CAFAM), founded in Los Angeles by Edith and Frank Wyle, grew out of The Egg and The Eye, a commercial art gallery/restaurant devoted to international contemporary craft and folk art—and (in the restaurant) omelettes. The gallery opened November 1, 1965 at 5814 Wilsh...
Biographical Note:
Assistant Director, Egg and The Eye Gallery, 1971 – 1976. Craft and Folk Art Museum Shop Manager, 1982 – 1989.
The Craft and Folk Art Museum (CAFAM), founded in Los Angeles by Edith and Frank Wyle, grew out of The Egg and The Eye, a commercial art gallery/restaurant devoted to international contemporary craft and folk art—and (in the restaurant) omelettes. The gallery opened November 1, 1965 at 5814 Wilsh...
Biographical Note:
Craft and Folk Art Museum Co-Founder with Founding Director Edith R. Wyle. Co-Founder, The Egg and The Eye gallery, with Edith Wyle and Bette Chase. CAFAM Board Chair, 1975 – 1976; 1987 – 1995; 1996 – 1999; 2002 – 2008.
The Craft and Folk Art Museum (CAFAM), founded in Los Angeles by Edith and Frank Wyle, grew out of The Egg and The Eye, a commercial art gallery/restaurant devoted to international contemporary craft and folk art—and (in the restaurant) omelettes. The gallery opened November 1, 1965 at 5814 Wilsh...
Biographical Note:
Assistant Buyer, Craft and Folk Art Museum Shop, 1976 -1982. Associate Manager, CAFAM Shop, 1982 – 1984. Co-Curator, “Fiber, Clay, and Glass,” 1978; Co-curator, “Introductions: 12 Artists,” 1980.
The Craft and Folk Art Museum (CAFAM), founded in Los Angeles by Edith and Frank Wyle, grew out of The Egg and The Eye, a commercial art gallery/restaurant devoted to international contemporary craft and folk art—and (in the restaurant) omelettes. The gallery opened November 1, 1965 at 5814 Wilsh...
Biographical Note:
Craft and Folk Art Museum Graphic Designer, 1977 – 1984.
The Craft and Folk Art Museum (CAFAM), founded in Los Angeles by Edith and Frank Wyle, grew out of The Egg and The Eye, a commercial art gallery/restaurant devoted to international contemporary craft and folk art—and (in the restaurant) omelettes. The gallery opened November 1, 1965 at 5814 Wilsh...
Biographical Note:
Craft and Folk Art Museum Executive Director, 2005 – 2010.
The Craft and Folk Art Museum (CAFAM), founded in Los Angeles by Edith and Frank Wyle, grew out of The Egg and The Eye, a commercial art gallery/restaurant devoted to international contemporary craft and folk art—and (in the restaurant) omelettes. The gallery opened November 1, 1965 at 5814 Wilsh...
Biographical Note:
Craft and Folk Art Museum Board president, 1975. Member, Program Committee, late seventies. Board Member, eighties. Curator, “Made in L.A.,” 1981, “California Women in Craft,” 1977. Subject of “California Classics,” 1987.
The Craft and Folk Art Museum (CAFAM), founded in Los Angeles by Edith and Frank Wyle, grew out of The Egg and The Eye, a commercial art gallery/restaurant devoted to international contemporary craft and folk art—and (in the restaurant) omelettes. The gallery opened November 1, 1965 at 5814 Wilsh...
Biographical Note:
Furniture designer and woodworker. Craft and Folk Art Museum Board Member, 1986–1997.
The Craft and Folk Art Museum (CAFAM), founded in Los Angeles by Edith and Frank Wyle, grew out of The Egg and The Eye, a commercial art gallery/restaurant devoted to international contemporary craft and folk art—and (in the restaurant) omelettes. The gallery opened November 1, 1965 at 5814 Wilsh...
The Craft and Folk Art Museum (CAFAM), founded in Los Angeles by Edith and Frank Wyle, grew out of The Egg and The Eye, a commercial art gallery/restaurant devoted to international contemporary craft and folk art—and (in the restaurant) omelettes. The gallery opened November 1, 1965 at 5814 Wilsh...
Biographical Note:
Daughter of Craft and Folk Art Museum (CAFAM) founders, Frank and Edith Wyle. Artist and designer. Developed educational materials for several CAFAM exhibitions; worked on “Masks in Motion” exhibition for 1984 Olympic Arts Festival.
The Craft and Folk Art Museum (CAFAM), founded in Los Angeles by Edith and Frank Wyle, grew out of The Egg and The Eye, a commercial art gallery/restaurant devoted to international contemporary craft and folk art—and (in the restaurant) omelettes. The gallery opened November 1, 1965 at 5814 Wilsh...
Biographical Note:
Assistant and later Director, Craft and Folk Art Museum Festival of Masks, 1977-1986; Museum Special Events Coordinator, 1984; Coordinator of Exhibitions, 1985; Member, ArtTable board, 1985 – 1989.
The Craft and Folk Art Museum (CAFAM), founded in Los Angeles by Edith and Frank Wyle, grew out of The Egg and The Eye, a commercial art gallery/restaurant devoted to international contemporary craft and folk art—and (in the restaurant) omelettes. The gallery opened November 1, 1965 at 5814 Wilsh...
Biographical Note:
Craft and Folk Art Museum Board Member, 1994 – present; Board President, 2008 – 2016.
The Craft and Folk Art Museum (CAFAM), founded in Los Angeles by Edith and Frank Wyle, grew out of The Egg and The Eye, a commercial art gallery/restaurant devoted to international contemporary craft and folk art—and (in the restaurant) omelettes. The gallery opened November 1, 1965 at 5814 Wilsh...
Biographical Note:
Conducted 17 Craft and Folk Art Museum interviews. Museum Librarian, 1976 – 1997. Director, CAFAM Center for the Study of Art and Culture, 1989 – 1994. Processed CAFAM Records; composed Finding Aid.
The Craft and Folk Art Museum (CAFAM), founded in Los Angeles by Edith and Frank Wyle, grew out of The Egg and The Eye, a commercial art gallery/restaurant devoted to international contemporary craft and folk art—and (in the restaurant) omelettes. The gallery opened November 1, 1965 at 5814 Wilsh...
Biographical Note:
Craft and Folk Art Museum Shop Manager, 1995 – 2005.
The interviews in the series African American Artists of Los Angeles document significant African American Artists and others in the Los Angeles metropolitan area who have worked to expand exhibition opportunities and public support for African American visual culture. The series was made possibl...
Biographical Note:
African American artist. Founder of the organization Art West Associated.
This series focuses on the history of the Pasadena Museum of Art and its role as a pathbreaking venue for contemporary art in Southern California in the 1960s.
Biographical Note:
Member of the board of trustees at the Pasadena Art Museum. Chair of the museum’s Art Alliance.
This series focuses on the history of the Pasadena Museum of Art and its role as a pathbreaking venue for contemporary art in Southern California in the 1960s.
Biographical Note:
Assistant to the director of the Pasadena Art Museum.
The interviews in the series African American Artists of Los Angeles document significant African American Artists and others in the Los Angeles metropolitan area who have worked to expand exhibition opportunities and public support for African American visual culture. The series was made possibl...
Biographical Note:
African American artist and community-activist. First director of the Watts Towers Art Center in Los Angeles.
The interviews in the series African American Artists of Los Angeles document significant African American Artists and others in the Los Angeles metropolitan area who have worked to expand exhibition opportunities and public support for African American visual culture. The series was made possibl...
Biographical Note:
African American art curator and community-activist. Co-founder of the Black Arts Council, advocate for African American exhibits at LACMA, and exhibit creator in community venues.
The interviews in the series African American Artists of Los Angeles document significant African American Artists and others in the Los Angeles metropolitan area who have worked to expand exhibition opportunities and public support for African American visual culture. The series was made possibl...
Biographical Note:
African American artist. Co-founder of the Brockman Gallery in Los Angeles.
The interviews in the series African American Artists of Los Angeles document significant African American Artists and others in the Los Angeles metropolitan area who have worked to expand exhibition opportunities and public support for African American visual culture. The series was made possibl...
Biographical Note:
African American artist. Founder of the International Review of African American Art and the Museum of African American Art in Los Angeles.
The interviews in the series African American Artists of Los Angeles document significant African American Artists and others in the Los Angeles metropolitan area who have worked to expand exhibition opportunities and public support for African American visual culture. The series was made possibl...
Biographical Note:
African American artist. Creator of ten acres of sculpture near Joshua Tree.
The interviews in the series African American Artists of Los Angeles document significant African American Artists and others in the Los Angeles metropolitan area who have worked to expand exhibition opportunities and public support for African American visual culture. The series was made possibl...
The interviews in the series African American Artists of Los Angeles document significant African American Artists and others in the Los Angeles metropolitan area who have worked to expand exhibition opportunities and public support for African American visual culture. The series was made possibl...
Biographical Note:
African American artist and founder of Gallery 32 in Los Angeles.
The interviews in the series African American Artists of Los Angeles document significant African American Artists and others in the Los Angeles metropolitan area who have worked to expand exhibition opportunities and public support for African American visual culture. The series was made possibl...
The interviews in the series African American Artists of Los Angeles document significant African American Artists and others in the Los Angeles metropolitan area who have worked to expand exhibition opportunities and public support for African American visual culture. The series was made possibl...
Biographical Note:
African American artist. Co-founder of the Los Angeles Institute of Contemporary Art (LAICA).
This series focuses on the history of the Pasadena Museum of Art and its role as a pathbreaking venue for contemporary art in Southern California in the 1960s.
The interviews in the series African American Artists of Los Angeles document significant African American Artists and others in the Los Angeles metropolitan area who have worked to expand exhibition opportunities and public support for African American visual culture. The series was made possibl...
Biographical Note:
African American artist. Director of the Studio Museum in Harlem.
This series focuses on the history of the Pasadena Museum of Art and its role as a pathbreaking venue for contemporary art in Southern California in the 1960s.
Biographical Note:
Assistant to the director of the Pasadena Art Museum and director of the Marion Koogler McNay Art Museum.
This series focuses on the history of the Pasadena Museum of Art and its role as a pathbreaking venue for contemporary art in Southern California in the 1960s.
Biographical Note:
Member of the board of trustees of the Pasadena Art Museum. Co-director of the museum’s California Design exhibitions.
The interviews in the series African American Artists of Los Angeles document significant African American Artists and others in the Los Angeles metropolitan area who have worked to expand exhibition opportunities and public support for African American visual culture. The series was made possibl...
This series focuses on the history of the Pasadena Museum of Art and its role as a pathbreaking venue for contemporary art in Southern California in the 1960s.
Biographical Note:
Curator and director of the Pasadena Art Museum. Co-founder of the Ferus Gallery. Director of the Washington Gallery of Modern Art and the Menil Foundation.
This series focuses on the history of the Pasadena Museum of Art and its role as a pathbreaking venue for contemporary art in Southern California in the 1960s.
Biographical Note:
Artist and curator of education at the Pasadena Art Museum.
This series focuses on the history of the Pasadena Museum of Art and its role as a pathbreaking venue for contemporary art in Southern California in the 1960s.
This series focuses on the history of the Pasadena Museum of Art and its role as a pathbreaking venue for contemporary art in Southern California in the 1960s.
Biographical Note:
Photographer, art critic, and curator at the Pasadena Art Museum.
This series focuses on the history of the Pasadena Museum of Art and its role as a pathbreaking venue for contemporary art in Southern California in the 1960s.
This series focuses on the history of the Pasadena Museum of Art and its role as a pathbreaking venue for contemporary art in Southern California in the 1960s.
This series focuses on the history of the Pasadena Museum of Art and its role as a pathbreaking venue for contemporary art in Southern California in the 1960s.
Biographical Note:
Vice-president of the Pasadena Art Museum board of trustees.
This series focuses on the history of the Pasadena Museum of Art and its role as a pathbreaking venue for contemporary art in Southern California in the 1960s.
Biographical Note:
Curator of design at the Pasadena Art Museum. Founder of the museum’s Art Alliance and director of the museum’s California Design exhibitions.
This series focuses on the history of the Pasadena Museum of Art and its role as a pathbreaking venue for contemporary art in Southern California in the 1960s.
The interviews in the series African American Artists of Los Angeles document significant African American Artists and others in the Los Angeles metropolitan area who have worked to expand exhibition opportunities and public support for African American visual culture. The series was made possibl...
This series includes interviews with prominent Los Angeles-based visual artists and other members of the art establishment whose careers span the period from the 1920s through the 1970s. It documents the art community of the pre-World War II period and the rise of Los Angeles as a nationally rec...
Biographical Note:
Painter known for his painted mosaic murals. Scripps college professor of art and director of the Otis College of Art and Design.
This series includes interviews with prominent Los Angeles-based visual artists and other members of the art establishment whose careers span the period from the 1920s through the 1970s. It documents the art community of the pre-World War II period and the rise of Los Angeles as a nationally rec...
Biographical Note:
Artist and University of California, Santa Barbara professor of art.
This series includes interviews with prominent Los Angeles-based visual artists and other members of the art establishment whose careers span the period from the 1920s through the 1970s. It documents the art community of the pre-World War II period and the rise of Los Angeles as a nationally rec...
This series includes interviews with prominent Los Angeles-based visual artists and other members of the art establishment whose careers span the period from the 1920s through the 1970s. It documents the art community of the pre-World War II period and the rise of Los Angeles as a nationally rec...
Biographical Note:
Painter and educator at Chouinard Art Institute and Otis Art Institute.
This series includes interviews with prominent Los Angeles-based visual artists and other members of the art establishment whose careers span the period from the 1920s through the 1970s. It documents the art community of the pre-World War II period and the rise of Los Angeles as a nationally rec...
This series includes interviews with prominent Los Angeles-based visual artists and other members of the art establishment whose careers span the period from the 1920s through the 1970s. It documents the art community of the pre-World War II period and the rise of Los Angeles as a nationally rec...
Biographical Note:
Printmaker, tapestry designer, and painter. Founder of the Tamarind Lithography Workshop.
This series includes interviews with prominent Los Angeles-based visual artists and other members of the art establishment whose careers span the period from the 1920s through the 1970s. It documents the art community of the pre-World War II period and the rise of Los Angeles as a nationally rec...
The interviews in the series Art History - Oral Documentation Project are part of a cooperative venture between the Oral History Program and the Getty Center for the History of Art and the Humanities, documents a generation of scholars who developed and elaborated paradigms of art history establi...
Biographical Note:
Art historian and professor at Harvard University with a focus in Italian Renaissance architecture history.
The interviews in the series Art History - Oral Documentation Project are part of a cooperative venture between the Oral History Program and the Getty Center for the History of Art and the Humanities, documents a generation of scholars who developed and elaborated paradigms of art history establi...
Biographical Note:
Yale University professor of art history and Williams College professor of art. Curator of modern art at Yale University Art Gallery and director of Clark Art Institute at Williams College.
The interviews in the series Art History - Oral Documentation Project are part of a cooperative venture between the Oral History Program and the Getty Center for the History of Art and the Humanities, documents a generation of scholars who developed and elaborated paradigms of art history establi...
Biographical Note:
Princeton University professor of art and archaeology with a focus on Byzantine and medieval art.
The interviews in the series Art History - Oral Documentation Project are part of a cooperative venture between the Oral History Program and the Getty Center for the History of Art and the Humanities, documents a generation of scholars who developed and elaborated paradigms of art history establi...
The interviews in the series Art History - Oral Documentation Project are part of a cooperative venture between the Oral History Program and the Getty Center for the History of Art and the Humanities, documents a generation of scholars who developed and elaborated paradigms of art history establi...
Biographical Note:
Columbia University's Barnard College professor of art history with a focus on works by Dutch painters.
This series includes interviews with prominent Los Angeles-based visual artists and other members of the art establishment whose careers span the period from the 1920s through the 1970s. It documents the art community of the pre-World War II period and the rise of Los Angeles as a nationally rec...
Biographical Note:
Sculptor, painter, printmaker, jewelry designer, and teacher.
The interviews in the series Art History - Oral Documentation Project are part of a cooperative venture between the Oral History Program and the Getty Center for the History of Art and the Humanities, documents a generation of scholars who developed and elaborated paradigms of art history establi...
Biographical Note:
Director of Villa i Tatti under the Harvard University Center for Italian Renaissance Studies in Florence, Italy. Leader of first U.S. university-based conservation program at New York University Institute of Fine Arts.
This series includes interviews with prominent Los Angeles-based visual artists and other members of the art establishment whose careers span the period from the 1920s through the 1970s. It documents the art community of the pre-World War II period and the rise of Los Angeles as a nationally rec...
Biographical Note:
Art dealer of modern and contemporary art. Owner of the Felix Landau Gallery.