Secretary for Katherine Duer Mackay, founder of the Equal Franchise Society, a woman’s suffrage organization. Wife of Harry Hopkins, member of President Franklin Delano Roosevelt’s administration.
Senior officer in the United States Army involved in military intelligence. Founder of the Washington Institute of Technology, a research group specializing in radio aids to aerial navigation.
California State College, Los Angeles professor of history. The first black graduate of the University of Oregon and the first black individual to receive a doctorate from Ohio State University.
Member of the Democratic County Central Committee of Orange County, president of the Santa Ana Democratic Club, and director of the California Democratic Council for the Thirty-fifth Congressional District.
The interviews in the series African American Artists of Los Angeles document significant African American Artists and others in the Los Angeles metropolitan area who have worked to expand exhibition opportunities and public support for African American visual culture. The series was made possibl...
This series focuses on the history of the Pasadena Museum of Art and its role as a pathbreaking venue for contemporary art in Southern California in the 1960s.
Biographical Note:
Curator and director of the Pasadena Art Museum. Co-founder of the Ferus Gallery. Director of the Washington Gallery of Modern Art and the Menil Foundation.
This series focuses on the history of the Pasadena Museum of Art and its role as a pathbreaking venue for contemporary art in Southern California in the 1960s.
The interviews in the series African American Artists of Los Angeles document significant African American Artists and others in the Los Angeles metropolitan area who have worked to expand exhibition opportunities and public support for African American visual culture. The series was made possibl...
Biographical Note:
African American artist. Director of the Studio Museum in Harlem.
This series focuses on the history of the Pasadena Museum of Art and its role as a pathbreaking venue for contemporary art in Southern California in the 1960s.
Biographical Note:
Assistant to the director of the Pasadena Art Museum and director of the Marion Koogler McNay Art Museum.
This series focuses on the history of the Pasadena Museum of Art and its role as a pathbreaking venue for contemporary art in Southern California in the 1960s.
Biographical Note:
Member of the board of trustees of the Pasadena Art Museum. Co-director of the museum’s California Design exhibitions.
This series focuses on the history of the Pasadena Museum of Art and its role as a pathbreaking venue for contemporary art in Southern California in the 1960s.
Biographical Note:
Curator of design at the Pasadena Art Museum. Founder of the museum’s Art Alliance and director of the museum’s California Design exhibitions.
This series focuses on the history of the Pasadena Museum of Art and its role as a pathbreaking venue for contemporary art in Southern California in the 1960s.
This project is a cooperative, interdisciplinary, inter-institutional effort by the Oral History Program, State Historical Society of Wisconsin, Frank Lloyd Wright Foundation, and Frank Lloyd Wright Archives, and is intended to preserve the recollections of selected former associates of Frank Llo...
Biographical Note:
Member of the Marin County Board of Supervisors in San Rafael, California, and advocate for the building of Frank Lloyd Wrights’ Marin County Civic Center.
This project is a cooperative, interdisciplinary, inter-institutional effort by the Oral History Program, State Historical Society of Wisconsin, Frank Lloyd Wright Foundation, and Frank Lloyd Wright Archives, and is intended to preserve the recollections of selected former associates of Frank Llo...
Biographical Note:
Fellow in the Taliesin Fellowship under Frank Lloyd Wright. Illinois architect.
This project is a cooperative, interdisciplinary, inter-institutional effort by the Oral History Program, State Historical Society of Wisconsin, Frank Lloyd Wright Foundation, and Frank Lloyd Wright Archives, and is intended to preserve the recollections of selected former associates of Frank Llo...
Biographical Note:
Fellow in the Taliesin Fellowship under Frank Lloyd Wright. Southern California architect.
This project is a cooperative, interdisciplinary, inter-institutional effort by the Oral History Program, State Historical Society of Wisconsin, Frank Lloyd Wright Foundation, and Frank Lloyd Wright Archives, and is intended to preserve the recollections of selected former associates of Frank Llo...
Biographical Note:
Fellow in the Taliesin Fellowship under Frank Lloyd Wright. East coast interior designer and architect.”
This project is a cooperative, interdisciplinary, inter-institutional effort by the Oral History Program, State Historical Society of Wisconsin, Frank Lloyd Wright Foundation, and Frank Lloyd Wright Archives, and is intended to preserve the recollections of selected former associates of Frank Llo...
Biographical Note:
Fellow in the Taliesin Fellowship under Frank Lloyd Wright.
This series is a cooperative venture between the Oral History Program and the MBA Program in UCLA's John E. Anderson Graduate School of Management and has been further supported by the Price Institute for Entrepreneurial Studies.
Biographical Note:
Founder of Ponder & Best, Inc. and the Vivitar Corporation which were manufacturers, distributors, and marketers of photographic and optical equipment.
This series focuses on the history of the Pasadena Museum of Art and its role as a pathbreaking venue for contemporary art in Southern California in the 1960s.
Biographical Note:
Artist and curator of education at the Pasadena Art Museum.
This series focuses on the history of the Pasadena Museum of Art and its role as a pathbreaking venue for contemporary art in Southern California in the 1960s.
Biographical Note:
Member of the board of trustees at the Pasadena Art Museum. Chair of the museum’s Art Alliance.
This series focuses on the history of the Pasadena Museum of Art and its role as a pathbreaking venue for contemporary art in Southern California in the 1960s.
Biographical Note:
Assistant to the director of the Pasadena Art Museum.
This series focuses on the history of the Pasadena Museum of Art and its role as a pathbreaking venue for contemporary art in Southern California in the 1960s.
This series focuses on the history of the Pasadena Museum of Art and its role as a pathbreaking venue for contemporary art in Southern California in the 1960s.
Biographical Note:
Photographer, art critic, and curator at the Pasadena Art Museum.
This series focuses on the history of the Pasadena Museum of Art and its role as a pathbreaking venue for contemporary art in Southern California in the 1960s.
This series focuses on the history of the Pasadena Museum of Art and its role as a pathbreaking venue for contemporary art in Southern California in the 1960s.
This series focuses on the history of the Pasadena Museum of Art and its role as a pathbreaking venue for contemporary art in Southern California in the 1960s.
Biographical Note:
Vice-president of the Pasadena Art Museum board of trustees.
This series is a cooperative venture between the Oral History Program and the MBA Program in UCLA's John E. Anderson Graduate School of Management and has been further supported by the Price Institute for Entrepreneurial Studies.
Biographical Note:
Executive vice-president and co-founder of Ramo-Wooldridge Corporation which specialized in the aerospace and automotive industries.
This series is a cooperative venture between the Oral History Program and the MBA Program in UCLA's John E. Anderson Graduate School of Management and has been further supported by the Price Institute for Entrepreneurial Studies.
Biographical Note:
Owner of Jules Berman and Associates wine and spirits importers. Real estate developer who developed Lake Arrowhead, El Capitan Ranch, and Rancho Bernardo.
Interviews in this series preserve the spoken memories of individuals, mainly musicians, who were raised near and/or performed on Los Angeles's Central Avenue from the late 1920s to the mid-1950s.
Interviews in this series preserve the spoken memories of individuals, mainly musicians, who were raised near and/or performed on Los Angeles's Central Avenue from the late 1920s to the mid-1950s.
Interviews in this series preserve the spoken memories of individuals, mainly musicians, who were raised near and/or performed on Los Angeles's Central Avenue from the late 1920s to the mid-1950s.
Interviews in this series preserve the spoken memories of individuals, mainly musicians, who were raised near and/or performed on Los Angeles's Central Avenue from the late 1920s to the mid-1950s.
Interviews in this series preserve the spoken memories of individuals, mainly musicians, who were raised near and/or performed on Los Angeles's Central Avenue from the late 1920s to the mid-1950s.
Biographical Note:
Jazz drummer. Advocated for the amalgamation of the black musicians' union Local 767 and white musicians' union Local 47.
Interviews in this series preserve the spoken memories of individuals, mainly musicians, who were raised near and/or performed on Los Angeles's Central Avenue from the late 1920s to the mid-1950s.
Interviews in this series preserve the spoken memories of individuals, mainly musicians, who were raised near and/or performed on Los Angeles's Central Avenue from the late 1920s to the mid-1950s.
Interviews in this series preserve the spoken memories of individuals, mainly musicians, who were raised near and/or performed on Los Angeles's Central Avenue from the late 1920s to the mid-1950s.
Biographical Note:
Jazz piano player. Advocate for the amalgamation of the black musicians' union Local 767 and white musicians' union Local 47.