This series of interviews documents the work of costumers in the film and television industries in Los Angeles. The interviews preserve a dimension of Hollywood history and Los Angeles history that has been under-documented to date.
Biographical Note:
Co-founder of Muto-Little custom-made costume shop. Career in costuming that has included work in film, television, opera, and popular music.
This series of interviews was undertaken in collaboration with the Art Directors Guild. Its aim is to document the lives and work of Guild members and staff who have made a significant contribution to film and television history. Interviews capture the work of title artists, set designers, art di...
Biographical Note:
Production designer with credits that include Lost in Translation, Her, and Where the Wild Things Are.
This series of interviews was undertaken in collaboration with the Art Directors Guild. Its aim is to document the lives and work of Guild members and staff who have made a significant contribution to film and television history. Interviews capture the work of title artists, set designers, art di...
Biographical Note:
Scenic artist working in film, television, and opera, and fine artist.
This series of interviews was undertaken in collaboration with the Art Directors Guild. Its aim is to document the lives and work of Guild members and staff who have made a significant contribution to film and television history. Interviews capture the work of title artists, set designers, art di...
Biographical Note:
Lead scenic artist for Warner Bros., with credits including The Perfect Storm, Lemony Snicket’s A Series of Unfortunate Events, and The Curious Case of Benjamin Button. Served as Art Directors Guild associate executive director.
This series of interviews was undertaken in collaboration with the Art Directors Guild. Its aim is to document the lives and work of Guild members and staff who have made a significant contribution to film and television history. Interviews capture the work of title artists, set designers, art di...
Biographical Note:
Storyboard artist whose work includes Hidden Figures and St. Vincent; director whose work includes The Illumination of Jim Woodring and Dance, Voldo, Dance.
This series of interviews was undertaken in collaboration with the Art Directors Guild. Its aim is to document the lives and work of Guild members and staff who have made a significant contribution to film and television history. Interviews capture the work of title artists, set designers, art di...
Biographical Note:
Scenic artist at CBS Television City for over forty years; past president of Local 816, Scenic, Title, and Graphic Artists.
This series of interviews was undertaken in collaboration with the Art Directors Guild. Its aim is to document the lives and work of Guild members and staff who have made a significant contribution to film and television history. Interviews capture the work of title artists, set designers, art di...
Biographical Note:
Owners of Shaffner/Stewart-Production Design, which designed sets for Two and a Half Men, The Big Bang Theory, Friends, several David Copperfield specials, The George Lopez Show, and The Ellen DeGeneres Show. Their work has received several Emmy Awards.
This series of interviews was undertaken in collaboration with the Art Directors Guild. Its aim is to document the lives and work of Guild members and staff who have made a significant contribution to film and television history. Interviews capture the work of title artists, set designers, art di...
Biographical Note:
Art director and production designer. Known for Frasier, Wings, Murphy Brown, and Academy Awards, among many other productions.
This series of interviews was undertaken in collaboration with the Art Directors Guild. Its aim is to document the lives and work of Guild members and staff who have made a significant contribution to film and television history. Interviews capture the work of title artists, set designers, art di...
Biographical Note:
Set designer known for work on L.A. Confidential, The Last Tycoon, Oz the Great and Powerful, and The Majestic.
This series of interviews was undertaken in collaboration with the Art Directors Guild. Its aim is to document the lives and work of Guild members and staff who have made a significant contribution to film and television history. Interviews capture the work of title artists, set designers, art di...
Biographical Note:
Set designer with credits that include Comes a Horseman, Wild and Free (1978), and Back to the Future Part II (1989) and Part III (1999). Worked in Universal Studios art department.